Divine Art Records

Artist: Diana Boyle

  • Diana Boyle plays Bach

    Diana Boyle plays Bach

    Diana Boyle is a fine pianist who records little but prepares each recording with years of thought, consideration and meditation on the music. Her interpretations are individual and thought-provoking, often delicate, not always conforming to the norm which pianists of lesser talent will follow, but looking to breathe new life and spirit into classic masterpieces. Her previous Divine Art albums have been very popular and highly praised.

    Like all of Diana Boyle’s work these new recordings are very carefully prepared and well crafted performances which do not fear to display real feeling and depth, not at all like the all too common ‘mechanical’ performances of Baroque music. The works themselves are not all among Bach’s best known, but all display his total mastery of the art of composition.

  • Diana Boyle – Bach Keyboard Partitas

    Diana Boyle – Bach Keyboard Partitas

    The fourth of our new digital-only ‘Intangible Classics’ series and of the Diana Boyle edition is a double album devoted to the six Partitas for Keyboard by Johann Sebastian Bach. As with all of the Diana Boyle recordings, this performance resulted from years of study and absorbtion of the music, giving us an interpretation second to none.

  • Beethoven: Diabelli Variations

    Beethoven: Diabelli Variations

    Beethoven’s Opus 120, the 33 Variations on a Waltz by Anton Diabelli, is an extraordinary and great work: in many ways ahead of its time, it is exceptionally complex but always accessible. The imagination Beethoven applies to Diabelli’s theme – itself ‘rich in solid musical facts’ (Tovey) – leads to a wealth of original structures and ideas. Incomprehensible as late Beethoven was to many, Diabelli himself recognized its genius and advertised the work as a ‘great and important masterpiece’.

    Diana Boyle is a fine pianist who records little but prepares each recording with years of thought, consideration and meditation on the music. Her interpretations are individual and thought-provoking, often delicate, not always conforming to the norm which pianists of lesser talent will follow, but looking to breathe new life and spirit into classic masterpieces.

    Like all of Boyle’s work this is a very carefully prepared and well crafted performance, an excellent addition to the library of recordings of this work.

  • Diana Boyle – Brahms Piano Works

    Diana Boyle – Brahms Piano Works

    This album focuses on Intermezzi and Capriccios from Brahms’s very late period – Op. 76 and Op. 116-119. All of these pieces are true ‘Songs without Words’ though not titled as such, and are reserved, rather intimate works, never ‘flashy’ or virtuosic for the sake of virtuosity. They carry a strong sense of mood or inner feeling that mere titles could not convey.

    Diana Boyle is a fine pianist who records little but prepares each recording with years of thought, consideration and meditation on the music. Her interpretations are individual and thought-provoking, often delicate, not always conforming to the norm which pianists of lesser talent will follow, but looking to breathe new life and spirit into classic masterpieces.

    Like all of Boyle’s work this is a very carefully prepared and well crafted performance, an excellent addition to the library of recordings of this work.

    The second of our new digital-only ‘Intangible Classics’ series and of the Diana Boyle edition; these works by Brahms remain much less familiar to many than his Songs without Words and Hungarian Dances, but are pinnacles of the Romantic piano repertoire. Though recorded in 1994, this recording is as fresh as today and was previously on Integra Records (CD).

  • Diana Boyle – Bach Goldberg Varations

    Diana Boyle – Bach Goldberg Varations

    The first of our new digital-only ‘Intangible Classics’ series and of the Diana Boyle edition; a superb rendition of this timeless masterpiece. Though recorded in 2003, this recording has never been available until now and demonstrates Diana Boyle’s deep and thoughtful approach to the works of Bach.

    Like Die Kunst der Fuge, Bach’s Goldberg Variations, BWV 899, have come to be seen as one of the pinnacles of keyboard writing, not only of the baroque era but of all time. The Aria with diverse variations for a harpsichord with two manuals as it is formally named is the capstone of the Clavierübung publication project which was finalised in 1741. Amazingly, like much of Bach’s work, it remained an esoteric and little-known work until introduced into the repertoire by Rudolf Serkin in the 1920s.

    Diana Boyle is a fine pianist who records little but prepares each recording with years of thought, consideration and meditation on the music. She moved to the Goldberg Variations after recording Book II of the Well-Tempered Clavier as a stepping stone to the inscrutable Art of Fugue. She avoided listening to any other versions, because as she says, “I need to find my own voice when studying these masterpieces and then try to express those thoughts at the keyboard.” Like all of Boyle’s work this is a very carefully prepared and well crafted performance, an excellent addition to the library of recordings of this work.

  • Mozart: Piano Sonatas

    Mozart: Piano Sonatas

    Diana Boyle’s Mozart is special: recorded after years of deep thought and reflection on the spirit of the music, her touch is deft, light and delicate, well balanced and never disfigured by harshness. Fast passages trip along while the slower parts are wonderfully expressed. We believe this to be a landmark interpretation essential for even those who know (or think they know) these works inside out.

  • Bach: The Art of Fugue

    Bach: The Art of Fugue

    Bach’s Art of Fugue is a great musical enigma; left strangely unfinished, it is thought perhaps to have been intended not for performance but as a definitive guide to the writing of fugues, or a personal musical message meant as the composer’s greatest legacy … in any event it is a supreme masterpiece and here is given a brilliant and individual interpretation, in which Diana Boyle (whose Metier CD of the 48 Preludes and Fugues, Book II is also highly praised) brings out classical-style emphasis and phrasing, bring the music alive more than in traditional dry and academic accounts. The recording omits the optional ‘canons’ but includes the ‘Inversus’ sections of Contrapuncti 12 and 13. Check out the artist index for more celebrated recordings by Diana Boyle of Bach, Beethoven and Brahms and Chopin.