Artist: Goldstone and Clemmow

  • Schubert: “Unauthorised” Piano Duos, vols 1-3 (discount set)

    Schubert: “Unauthorised” Piano Duos, vols 1-3 (discount set)

    The critically acclaimed series of piano duo transcriptions of music by Schubert by his friends, colleagues, pupils and contemporaries – a fascinating insight into early 19th century transcription practice and performances of the usual brilliantly high standard by the awesome Goldstone and Clemmow.

    See individual CD for full track listings and reviews. This bundle includes the following albums and all three booklets are included in the digital versions:

    Volume 1 (DDA 25026)
    Volume 2 (DDA 25039)
    Volume 3 (DDA 25125)

  • Gershwin and Ravel: Music for Piano Duo

    Gershwin and Ravel: Music for Piano Duo

    With over forty CDs to their credit and a busy concert schedule stretching back more than thirty years, the British piano duo of Anthony Goldstone and Caroline Clemmow was firmly established as a leading force. Their recordings are not only brilliant performances but usually innovatively programmed, leading to rave reviews for every album. Sadly Goldstone died in January 2017 but their legacy lives on.

    This album was originally released in 2007 (dda 25057) but withdrawn due to complex issues regarding one track. Now available again (without that track!) this is a superb rendition of music inspired by jazz and popular idioms, including the original piano duo versions (not transcriptions) of several of the pieces. The combination of these two great composers and one of the world’s best-ever duos makes for a stunning recital album.

  • Franz Schubert: Complete Piano Duets

    Franz Schubert: Complete Piano Duets

    The importance of this set cannot be over-stated. First released on 7 separate CDs by Olympia, it launched the international reputation of Anthony Goldstone and Caroline Clemmow as one of the world’s foremost duos, and it remains the only complete recording of Schubert’s original duet compositions including many little-known masterpieces and one Polonaise completed by Goldstone from Schubert’s unfinished manuscript. Each disc concludes with a Polonaise encore written by Schumann, inspired by Schubert. The set represents the whole stretch of Schubert’s output from D.1 to D.968.

    The performances are superb, exhilarating and perfectly integrated: the husband and wife team really do play like one person with four hands.

    Tragically, Anthony Goldstone died on January 2, 2017 while we were finalizing the design work, and did not live to see the re-issue of this marvelous collection, repackaged and remastered as a box set.

  • Schubert: The Unauthorised Piano Duos, Volume 3

    Schubert: The Unauthorised Piano Duos, Volume 3

    A fascinating and historically consequential recording, which follows the enthusiastic praise of the earlier volumes in this intriguing series. Here, we have firstly the world premiere recording of the ‘Death and the Maiden’ Quartet, transcribed by Robert Franz, better known for his lieder and who was almost contemporary with Schubert (he was 18 years younger).

    Even more exciting is the first ever recording of the transcribed version of the ‘Unfinished’ Symphony – but also in its complete new 2014) performing edition; the first two movements were transcribed by Schubert’s friend Hüttenbrenner; the third completed from Schubert’s part-finished movement by Anthony Goldstone, and the finale (also known as the Entracte from Rosamunde), transcribed by Friedrich Hermann with further adaptations by Anthony Goldstone. Essential listening.

    Volumes One (DDA 25026) and Two (DDA 25039) also available.

  • Rimsky-Korsakov for Piano Duo

    Rimsky-Korsakov for Piano Duo

    After more than thirty years Anthony Goldstone and Caroline Clemmow can lay claim to be regarded as one of the world’s foremost piano duos, displaying stunning precision in their ensemble and remarkable musicality. Following their critically acclaimed Divine Art CDs containing transcriptions of works by Dvorak, Mendelssohn, Tchaikovsky, Schubert and Chopin, they present music by Russian Romantic and exoticist Nicolai Rimsky-Korsakov – in the case of his most famous work, Scheherazade, and the little Neapolitan Song (which he unwittingly stole from composer Luigi Denza thinking it was a traditional folk song), the transcriptions are by the composer himself. Antar was transcribed by his wife Nadezhda Purgold, a skilled composer herself who also arranged Tchaikovsky’s Romeo and Juliet (DDA 25020).

  • Magical Places

    Magical Places

    Locations can be magical in many ways – musically they can be exotic, inspired by a holiday taken by the composer, expressions of a culture or of nature; here, special places range from England (Britten’s Aldeburgh) to Siberia to North Africa. These evocative symphonic poems for piano duet all express some fascination with locale which have excited a composer and brought about these exquisite and Romantic pieces.

  • Hans Gál – The Complete Piano Duos

    Hans Gál – The Complete Piano Duos

    The music of Austrian composer Hans Gál is being rediscovered and appreciated more and more for its infectious tunefulness and verve, and bears close comparison with the music of Dvorak and the other mid European late Romantics. Here is the first and only recording of his works for piano duo : the album was previously released on Olympia but only weeks before that label’s demise, so it will be new to almost everyone.

  • Delicias – Spanish Delights for Piano Duo

    Delicias – Spanish Delights for Piano Duo

    Spain, with its location at the southern tip of western Europe, and its exotic history, has developed a unique music tradition, more aligned, through the influence of the Islamic Moorish period, with the middle east than with the more northern parts of Europe. This cultural uniqueness has attracted hosts of non-Spanish composers to write ‘Spanish’ pieces many of which have become staples of the repertoire. This programme includes some favourites – but in unfamiliar guise – and some wonderful and little known gems too. Full of zest, fire and ‘soul’. Several premiere recordings.

  • The Jazz Age for Piano Duo

    The Jazz Age for Piano Duo

    Above all other periods, the ‘roaring’ 1920s were possibly the years of greatest carefree feeling in British society; America too, to an extent despite the Prohibition and limitations on personal freedom. The new dance crazes, from the foxtrot to the Charleston, Black Bottom and tango, together with the ever increasing popularity of jazz and blues idioms which created the ‘hot dance’ number, created a golden era in light music, which was eagerly taken up by ‘serious’ composers; here we have a parade of gems – major works from Gershwin and Milhaud, to miniatures full of fun. Exquisitely performed as ever by Britain’s top duo.

  • Chopin for Piano Duo

    Chopin for Piano Duo

    There seems no end to the brilliance not only of the musicianship and pianistic skill of our top piano duo but also their dedication to re-discovering and recording lost or neglected masterpieces. Here we have the very well known Second Piano Concerto of Chopin, in a two-piano version by Chopin himself and his pupil Mikuli – and never before recorded. A host of other rarities and transcriptions complete yet another reference recording.

  • Brian Chapple Piano Music

    Brian Chapple Piano Music

    Brian Chapple is a British composer of great skill who has not yet been as fully recognised as he deserves. This CD includes music for both solo piano and piano duo, demonstrating a range of styles from the very serious “Requies” to the fun-filled and jazz-inspired “Burlesque”. As ever, performed to perfection by Anthony Goldstone and Caroline Clemmow.

  • Mozart on Reflection

    Mozart on Reflection

    Mozart wrote one complete sonata for two pianos, the famous D major, here in a superb performance. But he also left sketches of a second work in B flat, which has been completed and realised by Anthony Goldstone. Together with Goldstone’s transcription of the Adagio and Rondo, originally written for glass harmonica, and arrangements by Busoni and Grieg, this is perhaps one of the most fascinating and unusual programmes of Mozart available.