Divine Art Records

Artist: Janet Simpson

  • Malcolm Lipkin – Recollections

    Malcolm Lipkin – Recollections

    This album celebrates 50 years of the composing career of Malcolm Lipkin (1932-2017) and represents a fitting tribute to a long established and highly respected composer whose music at times was dismissed as old-fashioned for daring to employ real tunes; now it can be appreciated as thoroughly individual, proving that new music can be accessible without losing integrity. He produced a considerable collection of distinctive, finely crafted works in many genres, including two symphonies and an Oboe Concerto, six Sonatas and eight Nocturnes for piano, and chamber, vocal and choral pieces, several commissioned by leading performers.

    Three tracks here (Clifford’s Tower, Pastorale and String Trio) were recorded in 1984 by the Nash Ensemble, then as now among the cream of chamber groups; issued by Hyperion in 1986 on vinyl only, these recordings have been excellently remastered from LP for this new issue. Adding to the mix are new recordings by premier instrumentalists each of whom is celebrated in their own field as a musician of the highest calibre. Lipkin’s music whether sombre or witty is never short of interest and innovation.

  • Robin Stevens: Prevailing Winds

    Robin Stevens: Prevailing Winds

    The British composer Robin Stevens is a great talent waiting to be discovered by the global music community. His varied, stimulating and expressive work is exemplified by this collection of music for wind instruments, ranging from the jolly and accessible (yet very difficult to play) Concert Rondo to the darker, deeper and meaningful Grief’s Portrait.

    Stevens has a brilliant touch, and also is an excellent pianist, cellist and guitarist and plays all three instruments here, alongside some of the foremost instrumentalists from the musical hotspot of Manchester, England: John Bradbury (principal clarinet, BBC Philharmonic); John Turner (recorderist: Academy of Ancient Music etc.); Richard Simpson (principal oboe, BBC Symphony), Janet Simpson (former principal keyboardist, Hallé Orchestra); and wonderful soloists Sarah Miller (flutes); Helen Peller (bassoon) and Lindsey Stoker (horn).

  • Travelling Light: Music of Jim Parker

    Travelling Light: Music of Jim Parker

    Perhaps the name of Jim Parker is not well known – but his music is loved worldwide. Composer of numerous film and theatre scores, he is best known for his television music which includes Foyle’s War, House of Cards, Midsomer Murders and House of Elliott among many more. He has won the British Academy Award for Best TV Music on no less than four occasions.

    This brilliant album collects a number of Parker’s recent compositions which are not directly for TV but still have a marvelous pictorial quality and display his remarkable talent for memorable melodies and coloration, whether it be the recorder acting like a Peruvian pipe, or violins emulating the Hurdy-Gurdy.

    Light music albums of this quality are very rare these days and this is a joyful gem.

  • Wind Blown – Sonatas for Wind Instruments

    Wind Blown – Sonatas for Wind Instruments

    Peter Hope is one of those remarkably talented composers whose music is far netter known than his name. An arranger and composer of light music for decades, working with the BBC Concert Orchestra and writing themes for public events, his music has been heard worldwide – and by millions of British watchers of BBC TV News which used Peter’s theme for over a decade.

    A selected set of wind soloists present the first CD devoted to Peter Hope’s compositions which are fresh, vigorous and enchanting – and as the composer says, ‘unashamedly tonal’.

  • Antony Hopkins – A Portrait

    Antony Hopkins – A Portrait

    Antony Hopkins is a phenomenon – a fact which escapes much of the public and even press who still confuse him with the actor (Anthony). Composer, pianist, conductor, broadcaster, lecturer, author … a true man of music. A live wire at the age of 91, (as we write in May 2012), his genius has suffered from fickle fashion, his ‘serious’ music being lyrical and tuneful though certainly deep and complex; his lighter music now seen as ‘period’ – and just ripe for rediscovery. This double album contains much fine music including eight pieces written by top British composers as tributes to Antony. For all interested in the evolution of 20th century music this album will be invaluable, and it’s also made with wit and humour, to suit the character of Hopkins himself.