Divine Art Records

Artist: Nicholas Trygstad

  • Robin Stevens: Chasing Shadows

    Robin Stevens: Chasing Shadows

    Robin Stevens manages to blend the often dominating clarinet with subtle warmth and colour with the strings, giving the Clarinet Quintet a distinctive character of its own.

    An important strand in Stevens’ compositional output since 2007 has been writing music for relatively neglected instruments such as the tuba, the piccolo and the bassoon, and this strand was strengthened in the autumn of 2015 when he wrote a collection of six pieces for double bass and piano, to which Chasing Shadows and Obsession belong.

    The Fantasy Trio (2009) is a relatively rare instance of a substantial chamber work combining the classical guitar with mainstream orchestral instruments. The Romantic Fantasy for flute (doubling piccolo), B flat clarinet, string quartet and harp (2010), is written for the same forces as Ravel’s ground-breaking Introduction and Allegro. The Romantic Fantasy is an ambitious work in one movement, an unbroken span of twenty three minutes’ music.

  • Robin Stevens: Music for Cello and Piano

    Robin Stevens: Music for Cello and Piano

    The British composer Robin Stevens (b. 1958) is a great talent who is being discovered by the global music community, due in part to the critical acclaim given to the two previous Divine Art albums of his music. His varied, stimulating and expressive work arises from many influences – from the music of the Romantic era, to mathematics, his faith and inspiration of his teachers, and he is now producing substantial works for varied instrumental groupings, which are modernist and original, but yet immediately accessible.

    An accomplished cellist himself, Stevens has produced a body of work for the instrument which should become part of the regular repertoire. On this album, works for cello and piano stand alongside pieces for solo cello, from the substantial 27–minute Sonata Romantica to several compositions in a lighter, tonal style full of Stevens’ wit and humour. Written between 1994 and 2020, they present a diverse range of expressionist and gently modernist sound worlds

    American cellist Nicholas Trygstad moved to England in 1998 to study at the Royal Northern College of Music. He became principal cello of Scottish Opera and from 2005 the Hallé Orchestra, and is very active in both solo recitals, chamber concerts and his teaching duties both at the RNCM in Manchester and also now with NYO Inspire.

    David Jones is Head of Accompaniment at the Royal Northern College and pianist for the Hallé Choir, and has given premiere performances of works by a number of prominent British composers. His previous recordings include three albums of music by Jeffrey Lewis, attracting the comment “not to be missed”: by Gramophone. Both Nicholas and David have appeared on previous Divine Art / Métier recordings.

  • Songs for Sir John – A tribute to Sir John Manduell

    Songs for Sir John – A tribute to Sir John Manduell

    Sir John Manduell was a pivotal figure in British music – as composer, teacher, BBC producer, first principal of the Northern Royal College of Music and founder of the European Opera Centre. Beloved and revered by musicians, yet someone whose name is shamefully little known outside the music profession.

    This album in tribute presents works by 16 composers from more than one generation, centred around settings of W.B. Yeats and principally songs with oboe, recorder, violin and cello. The music is varied, rich and wonderfully set to the texts, and yet the textures are always transparent and clear; there is nothing inherently ‘difficult’ for the listener. The performers are among the cream of the Music world of Northern England, and also, in the Robin Walker Nursery Rhymes (the only work not specially recorded for the album), feature the iconic veteran BBC presenter Richard Baker. Many of these artists have starred in several other Divine Art and Metier albums – click their names above for details.

    Even without the Manduell connection this is a wonderfully constructed program of new chamber music. In the track list below, the non-vocal works are marked *.

  • Malcolm Lipkin – Recollections

    Malcolm Lipkin – Recollections

    This album celebrates 50 years of the composing career of Malcolm Lipkin (1932-2017) and represents a fitting tribute to a long established and highly respected composer whose music at times was dismissed as old-fashioned for daring to employ real tunes; now it can be appreciated as thoroughly individual, proving that new music can be accessible without losing integrity. He produced a considerable collection of distinctive, finely crafted works in many genres, including two symphonies and an Oboe Concerto, six Sonatas and eight Nocturnes for piano, and chamber, vocal and choral pieces, several commissioned by leading performers.

    Three tracks here (Clifford’s Tower, Pastorale and String Trio) were recorded in 1984 by the Nash Ensemble, then as now among the cream of chamber groups; issued by Hyperion in 1986 on vinyl only, these recordings have been excellently remastered from LP for this new issue. Adding to the mix are new recordings by premier instrumentalists each of whom is celebrated in their own field as a musician of the highest calibre. Lipkin’s music whether sombre or witty is never short of interest and innovation.