Catalogue Connection: 21129

  • Kefi: Choir and Organ

    British-born composer of multi-cultural parentage, Lydia Kakadbase writes in an instantly appealing style, drawing on both Greek and Russian Orthodox traditions as well as folk music from the Hellenic and Middle Eastern regions. This extremely enjoyable disc of chamber and vocal music is most welcome and ought to make many new friends for her music. The most substantial composition, featuring the Choir of Royal Holloway under their director Rupert Gough, with members of the Rossetti Ensemble, is Thirty Steps.

    Composed to mark the 30th anniversary of the Hellenic Institute, it is, in the composer’s own words, ‘a musical journey of spiritual growth, using a text derived from the Ladder of Divine Ascent written by St John Climacus of Sinai (c 579-649 CE). Kakabadse’s setting reaches to the heart of this spiritual meditation, which Gough and his forces match in a skilful and very beautiful reading. The chamber pieces are equally captivating, several of them foregrounding the Greek bazouki. The Feast of Herod imagines a latter-day Salome-style dance at a banquet, while the Nomadic Dances and Kefi rejoice in folk traditions, all superbly executed.

  • Kefi Fanfare Review

    Lydia Kakabadse (b. 1955) is a British composer with a mixed heritage. Her mother is Greek/Austrian, her father Georgian/Russian, she was brought up in the Greek Orthodox and Russian Orthodox faith, and all of that influences her music significantly. She describes her style as being strongly colored by Greek Orthodox music. This disc is an attractive sampling of her chamber and vocal music.

    The disc takes its title from one of the pieces, Kefi, scored for bouzouki, violin, viola, cello, and double bass. In her very helpful notes, Kakabadse writes “The Greek word ‘Kefi’ is deeply embedded in Greek culture and, as such, there is no direct translation for the word. For the purposes of this album, it means joy, vibrancy, and excitement.” The Feast of Herod, Nomadic Dances, and Kefi are all instrumental pieces, and are all strongly marked by dance rhythms. Her music is melodic, appealing, definitely influenced by Eastern modes, and complex enough to reward repeated hearings. She has a terrific ear for color, and combines instruments in a highly imaginative way.

    The Nomadic Dances are lively and virtuosic. In Kefi Dimitris Gionis’s playing of the bouzouki, a plucked string instrument, is sensational. He combines remarkable technique with genuine musicality. Every note, no matter how rapid the pace, is clearly articulated and at precisely the right dynamic level. The major work here is Thirty Steps, the one vocal piece on the program. It was commissioned by the Hellenic Institute at Royal Holloway, with a request that the work portray a musical journey of spiritual growth. Based on Byzantine spirituality, the music depicts the journey of St. John Climacus of Sinai guiding his monks through their spiritual struggles to reach perfection. In addition to texts, the notes also have an explanation for many of the 30 steps. Overall, the music is spiritual and inward-looking, but there is enough variety to maintain interest. Kakabadse’s imaginative use of percussion adds just the right touch of energy to keep things interesting. Thirty Steps has a definite arc to it, beginning quietly and gradually building to a spiritual climax with the 30th step, “The Supreme Trinity Among the Virtues.”

    I very much enjoyed this disc and look forward to exploring more music by Kakabadse. The combination of spirituality and earthy joy in these pieces is quite special. All of the performances are excellent, as is the recorded sound.

  • Kefi: Choral & Chamber Works by Lydia Kakabadse

    Kefi: Choral & Chamber Works by Lydia Kakabadse

    British born composer Lydia Kakabadse enjoys a multi-cultural heritage (Greek/Austrian mother and Georgian/Russian father) which deeply informs her musical output. Her new album, recorded in London, features an even more diverse range of music than her previous albums, incorporating ethnic instruments into Western music. Making much use of the ‘alternative string quartet’ (violin viola, cello and double bass), the title track Kefi also introduces the Greek Bouzouki. While demonstrating a wide diversity of textures and styles, overall the music is coloured by use of the double harmonic scale. As well as a number of chamber works the highlight of the album is the choral work Thirty Steps commissioned by the Hellenic Institute at Royal Holloway whose choir, widely regarded as among the best mixed-voice choirs in Britain today, perform the work here. The other performers here are all experienced and very well regarded in their own fields.

    Lydia Kakabadse, celebrated for her diverse music, specialises in choral, chamber, and vocal compositions. Influenced by her multicultural background and upbringing in Greek and Russian Orthodox traditions, she draws inspiration from Orthodox Church music, medieval melodies, and Greek and Middle Eastern dance. Trained in piano and double bass from a young age, she pursued music studies at Royal Holloway, University of London. Her works, including string quartets, choral pieces, and concert requiems, have garnered critical acclaim and have been featured on recordings by labels such as Naxos and Divine Art. Notable commissions include “I Remember” for Forest Preparatory School and “Odyssey” for The Hellenic Institute. Her compositions have been performed internationally at festivals and by esteemed ensembles, and her string quartet “Russian Tableaux” has been broadcast on BBC Radio 3. Currently pursuing a PhD in ethnomusicology, Lydia continues to enrich the musical landscape with her distinctive and vibrant creations.