Composer: Edvard Grieg

  • Tomono Kawamura: Reminiscence

    Tomono Kawamura: Reminiscence

    In her new album, pianist Tomono Kawamura invites listeners on a journey through the rich tapestry of classical piano music. From her early beginnings of music education in Japan to her career on the global stage, Tomono’s deep connection to the piano shines through in every piece she plays. Her selections for this album reflect a blend of personal memories and timeless masterpieces, each one brought to life with her distinct poetic sensitivity and technical brilliance.

    The album begins with Tchaikovsky’s October, Op. 37a No. 10, from his celebrated cycle The Seasons. In choosing this particular piece, Tomono captures the reflective and nostalgic mood of autumn, with its lingering profound warmth and hint of melancholy. Her interpretation brings out the delicate interplay of light and shadow in Tchaikovsky’s evocative composition, setting the tone for the album’s journey through the changing emotional landscapes of classical music.

    Following this, Jean Sibelius’s Etude, Op. 76 No. 2 offers a glimpse into the Finnish composer’s introspective world. In Tomono’s hands, the piece’s subdued elegance and quiet intensity are carefully balanced, reflecting the stark beauty of the Finnish landscapes that inspired it. Brahms’s Hungarian Dance adds a lively burst of energy to the collection, with Tomono expertly navigating its spirited rhythms and fiery folk influences. The piece’s vibrant, dance-like qualities are captured with a joyful intensity that showcases her dynamic range and versatility.

    Tomono’s deep affinity for Chopin is evident in her performance of six of the composer’s works, each selected to highlight different facets of his genius. From the lyrical intimacy of his nocturnes to the virtuosic brilliance of his études, Tomono’s interpretations are marked by
    an emotional depth and clarity that resonate with the heart of Chopin’s music.

    The album continues with selections from Scarlatti, Rachmaninoff, Debussy, and Grieg, each piece chosen to reflect the diverse stylistic periods of the piano repertoire. Whether it’s the crystalline precision of Scarlatti’s sonatas, the sweeping passion of Rachmaninoff’s preludes, the dreamlike textures of Debussy, or the rugged beauty of Grieg, Tomono’s performances are a testament to her understanding of the masterpieces.

    A highlight of Reminiscence is the inclusion of Tomono’s own Variations which was written at the age of twelve. This original work bridges the past and present, blending classical form with contemporary expression. It serves as a showcase of her creativity and deep understanding of the classical tradition, offering a fresh voice while paying homage
    to the composers who have inspired her musical journey.

    Reminiscence is more than just a collection of classical works; it reflects Tomono Kawamura’s lifelong devotion to music. Through her thoughtful interpretations and masterful technique, she shares with listeners a deeply personal experience and memories that will resonate long after the final notes have faded.

    About Tomono Kawamura:

    Born in Japan, at the age of three, Tomono started her piano studies at the Yamaha Music School under Fumiko Eguchi. She made her orchestral debut as a soloist at fifteen. Later, Tomono was awarded a scholarship to study at the Royal Academy of Music in London with Christopher Elton where she graduated with the First Class Honours. She has won number of awards and appeared in such venues like the Wigmore Hall, London. In recent years, Tomono has appeared internationally as a solo recitalist, captivating audiences around the globe.

  • Souvenirs d’oiseaux

    Souvenirs d’oiseaux

    English pianist Roderick Chadwick has recorded the second volume in a series which presents Books 2 through 5 of Messiaen’s “Catalogue d’oiseaux” coupled with works which are linked either in style or subject matter. This follows the well-received issue in October 2020 of the first volume, entitled ‘La Mer Bleue’ which included Book 1 of the Catalogue.

    This double album is a continuation of Chadwick’s journey through Messiaen’s “Catalogue d’oiseaux”, programming it alongside an array of solo piano works that share its themes, atmospheres and inspirations. The latest issue features Books 2 through 5, including the cycle’s great centrepiece ‘La rousserolle effarvatte’ (The Reed Warbler), which evokes the sights and sounds of the Sologne region across a full day’s span.

    Roderick Chadwick, as both soloist and collaborator, has performed some of the most challenging works for piano; his recent Stockhausen disc was highly praised. He is a particular expert on Messiaen and in 2018 co-authored and published a book on the Catalogue d’oiseaux. He lives in South London and is Reader in Music at the Royal Academy of Music.

  • The Expressive Voice of the Flute

    The Expressive Voice of the Flute

    Among the instruments, the flute is one which has one of the widest expressive tones, especially heard to advantage in this collection of 46 light classics, ranging from the dreamy and romantic to the lively and sparkling. Original works are joined by many arrangements of popular orchestral or piano pieces, many by the performers. A feast of virtuosity and superb for both concentrated listening or lightening the mood. Over 145 minutes of great music. This set is a sequel to ‘Flute Vocalise’ (DDV24156) another fine collection (single CD midprice).

    Some tracks on this set were previously available on ASV and have been remastered and new recordings added.

  • Grieg for Piano Duo

    Grieg for Piano Duo

    A most important world première recording – possibly the world’s most loved piano concerto, in the arrangement for two pianos partly written by Grieg himself. The CD also contains the first recording of Grieg’s piano version of the Homage March indomitably played as always by Britain’s leading piano duo.

  • The Voice of the Clarinet

    The Voice of the Clarinet

    Along with the cello, the clarinet is often regarded as the most “voice-like” expressive instrument. In a unique programme, 20 art-songs and lieder (and one swing classic!) have been newly arranged for clarinet and piano. The result is a beautiful, unusual and uplifting recital with music from across the world.