Divine Art Records

Composer: Edwin York Bowen

  • Enigmas

    Enigmas

    A varied range of masterful works from English 20th century composers – some familiar and all major works of importance. Elgar composed his Enigma Variations at the piano; it was always suitable for a solo version and Elgar himself wrote this. Bowen’s Flute Sonata is well known – a Romantic staple — as is Leighton’s Elegy, which deserves to be better known. The piano solo work Folio I is lively and full of fun, while the two Sonnets of Rubbra are exquisitely gorgeous and absolutely essential listening.

    Fine performances by pianist Elspeth Wyllie who is an accomplished soloist and chamber musician/accompanist, working throughout the UK and other countries. The young set of musicians here show exceptional talent and musicianship in the recorded works which are very varied yet make up a coherent concert album.

  • From the British Isles – music for flute and piano

    From the British Isles – music for flute and piano

    The third in a series of albums by this leading flute and piano duo (and their seventh recording for Divine Art) in which we welcome back some iconic recordings previously issued by ASV (and long unavailable) together with some new recordings; this 2 CD set at mid price has several major works by British and Irish composers, from the early 18th to the late 20th century. As ever the duo demonstrate both remarkable virtuosity and also super musicality and depth in these mainly ‘Romantic’ works. The set is provided in luxury packaging at no extra cost, with detailed notes on the music. From the funfilled quirky and jazz-inflected Sonata by Malcolm Arnold through more ‘serious’ pieces by Leighton and Mathias, back to the late baroque sonata of John Ranish, this program is a perfect compilation of lyrical music for flute and piano.

  • The English Flute

    The English Flute

    A fine recital of 20th century music for flute and piano by English composers including some rare pieces, all melodic and memorable. A special recording as it features the traditional “English” wooden flute rather than the metal flute now more prevalent. Its warm tone embellishes these works even more.