Composer: Gabriel Fauré

  • France Revisited, Vol. 2

    France Revisited, Vol. 2

    On 17 April 2026, Divine Art is delighted to present France Revisited, Vol. 2, the second volume of French music for piano four hands from Piano Á Deux, the husband and wife team of Robert and Linda Stoodley.

    France Revisited, Vol.2 includes Gabriel Fauré’s Dolly Suite, George Onslow’s Sonata No.2 in F Minor, Op 22, and the Hungarian Rhapsody No.2 by Franz Liszt, arranged for four hands by Franz Bendel with new cadenzas by Piano Á Deux – this is the premiere recording.

    Fauré’s Dolly Suite is a charming set of six duets for four hands, written for the daughter of Emma Bardac, who eventually married Debussy. The Suite was often re-visited by Fauré, and in 1906 was arranged for orchestra by Henri Rabaud. The piano duets were first premeired by Alfred Cortot and Édouard Risler in 1898.

    Born in France but of English descent, George Onslow’s music found approval from elites like Robert Schumann and Felix Mendelssohn, being crowned the “French Beethoven” by his publisher and other contemporaries, although later falling out of favour. During their research into less well-known composers, Piano Á Deux discovered Onslow’s duet sonatas in a dusty library drawer. The Opus 7 Duo Sonata was recorded for the first volume of France Revisited and the Sonata No.2 in F Minor, Opus 22 is heard in this second volume. Given many performances by Chopin and Liszt, it is conceived on a grand scale, symphonic in structure and reflects the Beethovenian aspects of Onslow’s style.

    Liszt’s Hungarian Rhapsody No.2 is probably one of the best-known solo pieces in the piano repertoire, from a composer who stands like a colossus in the pianist world, crossing geographical boundaries. Piano Á Deux have taken Bendel’s arrangement for four hands, adapted it and written their own cadenzas, returning the piece to its virtuosic persona.

    An adventurous piano duo with a wide repertoire which includes major classical works and their original arrangements from the world of opera, film and musical theatre, Piano À Deux have performed in countries like Singapore, Italy, Germany and Finland to standing ovations. Meanwhile their concerts on cruise ships have won them a large following of seasoned concertgoers as well as new audiences who are delighted by their unique themed programs, exquisite music-making and charisma blended with humour.

    “Novel programming presented with charm, humour and drama, combined with their original arrangements has won them many fans worldwide. Surprisingly, Robert & Linda met online, not through music. They married in 2008 and “Piano À Deux” was formed in 2010. Piano Á Deux have been hailed as being worthy of taking on the mantle of longtime Divine Art recording artists Goldstone and Clemmow, a duo whose career was aborted by the untimely death of Anthony Goldstone. Their playing in ‘France Revisited‘ Vol 1 was praised as “piano four hands …at its very best..”

  • Found in Dreams

    Found in Dreams

    Helen Habershon is both an accomplished performer and an inspired composer of music which often evokes nature, or human emotions and sensibilities this is music which is ‘easy listening’ and in the light music tradition, and is unpretentious, but never facile: it has deep meaning. Her first two CDs have been highly praised and were Album of the Month and Album of the Week on Classic FM (UK) respectively. Her most recent album, ‘Found in Winter’, released in 2019, has been aired by Classic FM ever since. Helen had an established performing career until a serious injury led her to turn to composing, but she is now once again able to perform. Here she teams up with the successful pianist and arranger John Lenehan, who has appeared on over 70 recordings including several solo albums for Sony.

    For Found in Dreams Helen Habershon and John Lenehan offer a wonderfully diverse collection of repertoire. This includes beautiful arrangements of some of their favourite pieces; a couple of short movements of outstanding clarinet repertoire by Brahms and Finzi and some delightful new compositions of their own. As well as his beautifully crafted arrangements John has also written two lovely pieces to add to Helen’s. The cover design is a dream image from Helen’s five year old grandson.

    Throughout history mankind has been intrigued by the idea of dreams and Helen is no exception. As she says: “It’s interesting that all happenings begin as an idea and in order to get an idea one has to be in a receptive place. When creating I find myself in a kind of timeless space, rather like a daydream. I love the freedom of dreams, anything can happen. There are no boundaries and we are free to explore with no limits. The theme of ‘dreams’ came quite naturally and many of the pieces in the album reflect this.”

  • The Expressive Voice of the Flute

    The Expressive Voice of the Flute

    Among the instruments, the flute is one which has one of the widest expressive tones, especially heard to advantage in this collection of 46 light classics, ranging from the dreamy and romantic to the lively and sparkling. Original works are joined by many arrangements of popular orchestral or piano pieces, many by the performers. A feast of virtuosity and superb for both concentrated listening or lightening the mood. Over 145 minutes of great music. This set is a sequel to ‘Flute Vocalise’ (DDV24156) another fine collection (single CD midprice).

    Some tracks on this set were previously available on ASV and have been remastered and new recordings added.

  • A Song Without Words – The Legacy of Paul Taffanel

    A Song Without Words – The Legacy of Paul Taffanel

    In the late 19th and early 20th century, Paul Taffanel was probably the most influential figure in the world of flute music, as performer and composer, but more so as inspirer, commissioner and supporter of fine works by a multitude of composers; this set contains many of those, most of which, having fallen out of fashion in the modernist 20th century, have never been recorded until now – indeed many have been unperformed for years. A great shame as these are without exception, exquisite and lovely works, beautifully performed. One or two well known pieces are included too. The artists have put an immense amount of dedication into this, their ‘magnum opus’. over 76 minutes on each CD all at mid price.

  • Fantasie – Music for Horn

    Fantasie – Music for Horn

    Etienne Cutajar is a star of the future and an extraordinarily gifted horn player. This CD presents music for horn with piano, with harp and solo. Included are two world première recordings: the Fantasie Sonata by Charles Camilleri (who attended the recording sessions and was most delighted with the performance!) and Jean-Michel Damase’s “Aspects”.

    Booklet notes in English, French, German.

  • The Voice of the Clarinet

    The Voice of the Clarinet

    Along with the cello, the clarinet is often regarded as the most “voice-like” expressive instrument. In a unique programme, 20 art-songs and lieder (and one swing classic!) have been newly arranged for clarinet and piano. The result is a beautiful, unusual and uplifting recital with music from across the world.