Divine Art Records

Composer: Gustav Holst

  • Expectations

    Expectations

    Divine Art is delighted to present the 16 January 2026 release of Expectations from organist Alexander Ffinch, a musical journey of the seasons featuring original works and arrangements, recorded on the magnificent organ at Cheltenham College. Expectations takes the listener through a journey of the fall, winter feasts and festivals, and highlights the anticipation of opportunities and renewal in the new year. The various colours and choruses of the organ spark the imagination, making a wonderfully visceral listening experience which challenges the expectations of both the organ enthusiast and those new to the world of organ music. In this way, Expectations is a perfect follow-up and partner album to Ffinch’s 2024 release Parallels, which featured original works and arrangements alongside music not usually associated with the organ.

    Ffinch begins our seasonal journey at Halloween with Saint-Saëns’ spine-chilling Danse Macabre in a transcription by E. H. Lemare. Alexandre Guilmant’s powerful Marche Funèbre et Chant Séraphique maintains the dark atmosphere, portraying the arrival of a solemn funeral procession. We then look ahead to the Christmas season in a refreshingly colourful new take on the Advent melody Non Komm der Heiden Heiland by the young composer William Mason, intermixed with the exquisitely crafted Air from Brook Green Suite by Gustav Holst and Derek Bourgeois’ lighthearted Serenade, which provide a different kind of anticipation, both written for upcoming occasions.

    Christmas is in full swing with arrangements of the Overture, Russian Dance (Trépak), and Dance of the Reedpipes (des Mirlitons) from Tchaikovsky’s festive ballet The Nutcracker, wrapped up together with the dazzlingly inventive Variations sur un Noël by Marcel Dupré, a towering figure of 20th-century organ music. This brings us finally towards the new year with the captivating Epilogue from Fanny Mendelssohn’s Das Jahr, a stark yet optimistic depiction of the stroke of midnight on New Year’s Eve. Two works by master organist Marcel Lanquetuit complete the album: the centenary of his famous Toccata comes up in 2027, giving the album an ongoing cyclical feel, and we also hear his lesser-known Intermezzo.

    Just as Ffinch offered an organ ‘surprise’ along the lines of Coldplay’s “Paradise” on Parallels, he also extends the question of expectations with David Bowie’s probing song, “Life on Mars?”. The release will also mark the 10th anniversary of David Bowie’s death and reminds us, 55 years after its release, that the journey to find ourselves doesn’t end with New Year’s Resolutions.

    Alexander Ffinch has established himself as a renowned organist with performances spanning the UK, Europe, USA, and Asia. Notable for his role as the College Organist at Cheltenham College since 2004, Alexander oversees daily organ performances in the College Chapel and accompanies choirs while maintaining an active schedule as a recitalist. He has featured previously in the Cheltenham International Music Festival and on BBC Radio 3 live broadcasts. His recordings have also recently featured on Radio 3 programmes. There are forthcoming recitals at Notre Dame and La Madeleine in Paris as well as regular series appearances in Cheltenham and other concerts in both the UK and USA.

  • Gods, Ghosts and Monsters

    Gods, Ghosts and Monsters

    This debut album, from Germany based ensemble Conceptus, features music for tenor and ensemble by Butterworth, Warlock, Holst and Bridge, in addition to Timothy Collins’ Sea Song. Collins has composed and arranged extensively for the ensemble.

    Sea Song – Timothy Collins
    Originally composed in 2018 and set to the poignant poetry of Katherine Mansfield, this evocative piece delves into themes of ageing, sorrow, and loss. Conceptus has brought Collins’ musical narrative to life with an accompanying 10-minute music film available on Apple Music and Youtube.

    Six Songs from a Shropshire Lad – George Butterworth
    Delving into themes of nostalgia and the tragedy of lost youth, this collection, originally composed in 1911, captures the essence of Alfred Edward Housman’s timeless poetry. Collins’ arrangements embellish the poignant resonance of Butterworth’s work, forever etched in the annals of English song.

    The Curlew – Peter Warlock
    Peter Warlock’s masterwork, “The Curlew,” meticulously arranged for Conceptus by Timothy Collins. Woven from the poetry of William Butler Yeats, this haunting composition, originally scored for string quartet, cor anglais, and flute, delves into macabre imagery and desolate landscapes.

    Hymns from the Rig Veda Opus 24 – Gustav Holst
    “Hymns from the Rig Veda,” is transfigured by Conceptus with these arrangements from Timothy Collins. Drawing inspiration from ancient Sanskrit texts dating back to 1500 BCE, Holst’s solo vocal triumph offers a reverent exploration of Hindu philosophical thought. Experience the profound resonance of Holst’s sacred compositions as Conceptus breathes new life into these timeless hymns.

    Three Songs by Frank Bridge
    From the reflective tones of “Come To Me In My Dreams” to the mythological allure of “Love Went A-Riding,” Conceptus navigates the emotional depths of Bridge’s compositions with grace and finesse.

    Conceptus is an international, multi-faceted and multi-disciplinary ensemble with membership drawn from Germany, Russia, Spain, the United Kingdom, Poland and Australia. Formed in 2021, the ensemble is dedicated to bringing new life to great works of the nineteenth and twentieth centuries and beyond, with a particular emphasis on Late Romantic British vocal music and song cycles.

    Conceptus has also commissioned works by award-winning German composer, organist and conductor Christoph Ritter, whose Requiem is set for a world premiere and recording in 2024. Conceptus Artistic Director, Scott Robert Shaw, released his acclaimed debut “The English Tenor” on Divine Art in 2023

  • Parallels – music for organ

    Parallels – music for organ

    Parallels is meticulously curated album that explores the organ’s remarkable breadth and sonority. Featuring three monumental organ works and delightful arrangements of English classics, the collection is a testament to the grandeur and versatility of the instrument.

    Florence Price’s Suite No. 1, makes its debut commercial recording. This substantial and captivating composition draws inspiration from spirituals, hymns, and pentatonic themes, showcasing a harmonious fusion of jazz influences. The rhythmic drive and themes in the final Toccato pay homage to the engaging Rubrics by Dan Locklair, creating a seamless connection between the featured works.

    The album’s title, Parallels, reflects Florence Price’s artistic vision, aiming to convey a heritage through the past while being influenced by contemporary contacts. This intention is beautifully realised in Suite No. 1, where the chromatic harmony reminiscent of Suite Gothique meets the rhythmic vitality of Rubrics. As a nod to the present day, the album includes Alexander’s own arrangement of Coldplay’s hit single Paradise, seamlessly blending modernity with Price’s timeless compositions. Parallels is not just an album; it’s a transformative auditory experience that invites listeners to explore the intersections of tradition and innovation on the Harrison and Harrison organ. The past converges with the present in perfect harmony.

    The surprise appearances of music not typically associated with the organ successfully adds an element of excitement and discovery. The album also features splendid organ arrangements of English staples like Elgar’s Chanson de Matin and Pomp and Circumstance, further showcasing the instrument’s versatility. “Parallels” is an invitation to discover the intersections of tradition and innovation, a celebration of timeless compositions, and a showcase of the capabilities of Cheltenham College Chapel’s Harrison and Harrison organ. This album also celebrates the 150th anniversary of Gustav Holst’s birth with the inclusion of Jupiter, the Bringer of Jollity fromThe Planets Op. 32 arranged by Thomas Trotter.

    Alexander Ffinch has established himself as a renowned organist with performances spanning the UK, Europe, USA, and Asia. Notable for his role as the College Organist at Cheltenham College since 2004, Alexander oversees daily organ performances in the College Chapel and accompanies choirs while maintaining an active schedule as a recitalist, featuring prominently in events like the Cheltenham International Music Festival and BBC Radio 3 broadcasts. His 2019 album, Transformations (DDA 25193), received critical acclaim.

  • Madrigali: Fire and Roses

    Madrigali: Fire and Roses

    An intensely beautiful programme, delectably performed. Paul Mealor’s choir gives a stunning performance of original 16th century madrigals and some modern counterparts, including the fabulous Madrigali of Morten Lauridsen. Of Mealor, we have the awesomely beautiful ‘Now Sleeps the Crimson Petal’ cycle, of which the first movement was personally chosen by Prince William and Kate Middleton (now the Duke and Duchess of Cambridge) as the musical centerpiece of the April royal wedding service (re-set to the words of ‘Ubi Caritas’).

    This is the original version, conducted by the composer, and thus 100% authentic.

    Paul Mealor’s work is also available as a download-only single, Now Sleeps the Crimson Petal (DDS 29002). It was also featured in the soundtrack of the award-winning documentary “Shining Night: A Portrait of Composer Morten Lauridsen” (DVD 003).

  • Orientale

    Orientale

    In their fifth CD for Divine Art, Britain’s leading piano duo explore the east from Israel to Siberia, from Persia to Bali. The influences are diverse. McPhee spent much time in Bali, while John Mayer was in effect one of the founders of the “world music” genre. Anthony Goldstone has newly arranged Achron’s “Hebrew Melody” for piano duo and prepared a performing edition of Holst’s wonderful “Beni Mora” suite from the transcription made by Holst’s pupil Nora Day.

    Most of these splendid pieces are recorded here for the first time.

  • Explorations

    Explorations

    Until Anthony’s untimely passing in 2017, Anthony Goldstone and Caroline Clemmow were Britain’s top piano duo, and have an extensive discography, which is exceptionally popular and critically acclaimed. On this CD they play both together and individually, to present for the first time major piano works by British composers.

    ALL TRACKS ARE WORLD PREMIÈRE RECORDINGS