Composer: Lydia Kakabadse

  • Kefi: Choral & Chamber Works by Lydia Kakabadse

    Kefi: Choral & Chamber Works by Lydia Kakabadse

    British born composer Lydia Kakabadse enjoys a multi-cultural heritage (Greek/Austrian mother and Georgian/Russian father) which deeply informs her musical output. Her new album, recorded in London, features an even more diverse range of music than her previous albums, incorporating ethnic instruments into Western music. Making much use of the ‘alternative string quartet’ (violin viola, cello and double bass), the title track Kefi also introduces the Greek Bouzouki. While demonstrating a wide diversity of textures and styles, overall the music is coloured by use of the double harmonic scale. As well as a number of chamber works the highlight of the album is the choral work Thirty Steps commissioned by the Hellenic Institute at Royal Holloway whose choir, widely regarded as among the best mixed-voice choirs in Britain today, perform the work here. The other performers here are all experienced and very well regarded in their own fields.

    Lydia Kakabadse, celebrated for her diverse music, specialises in choral, chamber, and vocal compositions. Influenced by her multicultural background and upbringing in Greek and Russian Orthodox traditions, she draws inspiration from Orthodox Church music, medieval melodies, and Greek and Middle Eastern dance. Trained in piano and double bass from a young age, she pursued music studies at Royal Holloway, University of London. Her works, including string quartets, choral pieces, and concert requiems, have garnered critical acclaim and have been featured on recordings by labels such as Naxos and Divine Art. Notable commissions include “I Remember” for Forest Preparatory School and “Odyssey” for The Hellenic Institute. Her compositions have been performed internationally at festivals and by esteemed ensembles, and her string quartet “Russian Tableaux” has been broadcast on BBC Radio 3. Currently pursuing a PhD in ethnomusicology, Lydia continues to enrich the musical landscape with her distinctive and vibrant creations.

  • Ithaka: vocal and choral works by Lydia Kakabadse

    Ithaka: vocal and choral works by Lydia Kakabadse

    British composer Lydia Kakabadse (with roots in Greece, Austria, Russia and Georgia) reflects her cultural heritage in music that has western and mediterranean elements – while this is strongest in her choral music, it is heard to good effect in her chamber works, which are often written in modal intonation; her previous recorded collections have been very positively reviewed. This album is in two parts – first the stunning choral work ‘Odyssey’ – absolutely traditional in its rich harmony but carrying one or two surprises, a work commissioned by the Hellenic Institute at Royal Holloway University of London and premiered in2018; and a set of songs written in 2018 and 2019 spanning a range of styles from ballad, to arioso to folk jazz, Romantic, antiphonal and minimalistic!

    The performers are all top rate: Clare McCaldin is an outstanding mezzo-soprano with a significant recorded legacy already. Paul Turner specializes in chamber music and has accompanied eminent singers and instrumentalists. Sara Trickey is well known as a fine violinist and Cecily Beer is in demand as both singer and harpist. The Choir of Royal Holloway is considered to be one of the finest mixed-voice collegiate choirs in Britain.

    Odyssey: Choir of Royal Holloway, Cecily Beer (harp), directed by Rupert Gough
    I Remember: Choir of Royal Holloway, Sara Trickey (violin), Cecily Beer (harp), directed by Rupert Gough
    Other songs: Clare McCaldin (mezzo-soprano), Paul Turner (piano)

  • Cantica Sacra

    Cantica Sacra

    Sacred choral works for the 21st century but steeped in the tradition and style of centuries past. Composer LYDIA KAKABADSE is English born but with roots in Greece, Austria, Russia and Georgia, all of which inspire her music which is a fluid mix of the western and Orthodox choral styles.

    A perfect album for the choral music lover wanting a new sound but within traditional tonal (and modal) limits.

    Performed by former members of Clare College choir, who have gone on to their life-after-graduation, taking with them the Choir’s excellent and ever-growing reputation as one of the finest English choirs of our day. Joined for ‘Spectre’ by mezzo-soprano Grace Durham and instrumental ensemble.

    More from Lydia Kakabadse: Chamber music on ‘Concertato’ and choral and vocal music on ‘Ithaka’

  • Concertato: Chamber Music by Lydia Kakabadse

    Concertato: Chamber Music by Lydia Kakabadse

    British composer Lydia Kakabadse (with roots in Greece, Austria, Russia and Georgia) reflects her cultural heritage in music that has western and mid-Asian elements – while this is strongest in her choral music, it is heard to good effect in her chamber works, which are often written in modal intonation; her first chamber CD was issued by Naxos to good reviews and this set concentrates on the ‘alternative’ string quartet line-up with double bass, with one piece for cello and bass duo and one for mezzo-soprano and quartet. The title ‘Concertato’ derives from the usage in baroque music meaning a rivalry or contrast between the instruments; the composer uses this to emphasis lines and dialogues between instruments, especially so in the cello/bass duo which gives the CD its name.

    Sound collective is a group of distinguished musicians which works closely with composers, writers and educators in order to build new ways of appreciating and promoting chamber music.In 2019 it was renamed The Rossetti Ensemble.

    Performers: Jess Dandy (mezzo-soprano); Sara Trickey (violin); Sarah-Jane Bradley (viola); Tim Lowe (cello); Ben Griffiths (double bass)

    Also by Lydia Kakabadse – choral and vocal music:
    Cantica Sacra
    Ithaka