Mozart’s Wind Serenades need little introduction as staples of the repertoire and true works of genius. This fine performance by the EUCO brings fresh life to these well-loved works, but something more: Mozart revised the E-flat serenade into Octet form (it was previously a septet) but the publishers made serious errors in the score, omitting part of the minuet and inserting a spurious bar. Santiago Mantas has prepared a new performing edition to correct these errors, and this is the first recording of the complete Serenade as intended by Mozart.
Composer: Wolfgang Amadeus Mozart
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Mozart: Piano Sonatas
Diana Boyle’s Mozart is special: recorded after years of deep thought and reflection on the spirit of the music, her touch is deft, light and delicate, well balanced and never disfigured by harshness. Fast passages trip along while the slower parts are wonderfully expressed. We believe this to be a landmark interpretation essential for even those who know (or think they know) these works inside out.
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Mozart, Beethoven, Bach-Busoni Piano Works
A British pianist specializing in the late baroque and classical periods, Jill Crossland has acquired an impressive reputation for her new insights into even the most familiar and hackneyed of ‘core repertoire’ works. Penguin Guide to CDs has said “a natural Mozartean … wonderfully lyrical Beethoven”. Here, Jill gives that special treatment to the ‘Moonlight’ with a beautiful and fresh reading; she presents three Bach-Busoni chorale preludes in full Romantic style and sparkles in delightful Mozart.
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Inspiration – Homage to Maria Curcio
Maria Curcio was one of the most influential and sought after piano teachers of the latter part of the 20th century including among her students such luminaries as Martha Argerich, Peter Frankl, Radu Lupu, and Mitsuko Uchida – and Anthony Goldstone. Following Curcio’s death in 2009 at the age of 89, this is Goldstone’s tribute to his mentor – a fine recital in its own right, and works all of which have a connection to her, in some way or other. This is the first ever recording of the lovely Waltzes composed by Artur Schnabel. As a bonus we include one of the very few surviving recordings made by Maria Curcio, where she accompanies Elisabeth Schwarzkopf in a Mozart aria – a performance first broadcast in 1957.
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The Piano at the Ballet
The final part of Anthony Goldstone’s brilliant triptych of recitals including transcriptions, variations, fantasias, and arrangements of music from public ‘spectacles’ – the first two CDs attracted enormous critical praise and this volume is no less fine, containing perhaps a few more well-known themes, such as those from Swan Lake and The Nutcracker, but in fresh and new arrangements by the performer – indeed most of the music here is receiving its first recording.
Now, posthumously, here is volume 2 (DDA 25148)
A Night at the Opera (DDA 25067)
The Piano at the Carnival (DDA 25076) -
Unheard Mozart
Following Anthony Goldstone’s surveys of rare and previously unrecorded music by Schubert and Beethoven (some original, some in arrangements) and the groundbreaking disc of Mozart piano duo works made with Caroline Clemmow (25046) this is perhaps his most ambitious project to date, including two completely new sonatas, realised from sketches left by Mozart, and several other newly-completed pieces. Approved with enthusiasm by Mozart scholars, including Julian Rushton who wrote the booklet notes, these wonderful new completions will soon be part of the standard Mozart repertoire. ALL FIRST RECORDINGS.
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Gossiana – A Tribute to John Goss
Subtitled, “A 1920s anthology of song” this album is not filled only by music composed during the 1920s, but is made in tribute to one of Britain’s greatest, and now almost forgotten, singers: John Goss. At the height of his career in the 1920s, Goss was a close friend of Warlock, Moeran and other composers, and ahead of his time in giving mixed recitals, including all types of song from lieder to sea shanties. This is reflected in this CD. Giles Davies played Goss in a recent film directed by Tony Britten.
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Mozart on Reflection
Mozart wrote one complete sonata for two pianos, the famous D major, here in a superb performance. But he also left sketches of a second work in B flat, which has been completed and realised by Anthony Goldstone. Together with Goldstone’s transcription of the Adagio and Rondo, originally written for glass harmonica, and arrangements by Busoni and Grieg, this is perhaps one of the most fascinating and unusual programmes of Mozart available.
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Fifty Years of Music Making
This is a special album.It was produced as a limited edition product to celebrate 50 years in performing by Peter Katin, one of the great names of British pianism and includes recordings personally chosen by Katin to typify the composers and works which with he became most closely associated.