Divine Art Records

Genre: Organ

  • Expectations

    Expectations

    Divine Art is delighted to present the 16 January 2026 release of Expectations from organist Alexander Ffinch, a musical journey of the seasons featuring original works and arrangements, recorded on the magnificent organ at Cheltenham College. Expectations takes the listener through a journey of the fall, winter feasts and festivals, and highlights the anticipation of opportunities and renewal in the new year. The various colours and choruses of the organ spark the imagination, making a wonderfully visceral listening experience which challenges the expectations of both the organ enthusiast and those new to the world of organ music. In this way, Expectations is a perfect follow-up and partner album to Ffinch’s 2024 release Parallels, which featured original works and arrangements alongside music not usually associated with the organ.

    Ffinch begins our seasonal journey at Halloween with Saint-Saëns’ spine-chilling Danse Macabre in a transcription by E. H. Lemare. Alexandre Guilmant’s powerful Marche Funèbre et Chant Séraphique maintains the dark atmosphere, portraying the arrival of a solemn funeral procession. We then look ahead to the Christmas season in a refreshingly colourful new take on the Advent melody Non Komm der Heiden Heiland by the young composer William Mason, intermixed with the exquisitely crafted Air from Brook Green Suite by Gustav Holst and Derek Bourgeois’ lighthearted Serenade, which provide a different kind of anticipation, both written for upcoming occasions.

    Christmas is in full swing with arrangements of the Overture, Russian Dance (Trépak), and Dance of the Reedpipes (des Mirlitons) from Tchaikovsky’s festive ballet The Nutcracker, wrapped up together with the dazzlingly inventive Variations sur un Noël by Marcel Dupré, a towering figure of 20th-century organ music. This brings us finally towards the new year with the captivating Epilogue from Fanny Mendelssohn’s Das Jahr, a stark yet optimistic depiction of the stroke of midnight on New Year’s Eve. Two works by master organist Marcel Lanquetuit complete the album: the centenary of his famous Toccata comes up in 2027, giving the album an ongoing cyclical feel, and we also hear his lesser-known Intermezzo.

    Just as Ffinch offered an organ ‘surprise’ along the lines of Coldplay’s “Paradise” on Parallels, he also extends the question of expectations with David Bowie’s probing song, “Life on Mars?”. The release will also mark the 10th anniversary of David Bowie’s death and reminds us, 55 years after its release, that the journey to find ourselves doesn’t end with New Year’s Resolutions.

    Alexander Ffinch has established himself as a renowned organist with performances spanning the UK, Europe, USA, and Asia. Notable for his role as the College Organist at Cheltenham College since 2004, Alexander oversees daily organ performances in the College Chapel and accompanies choirs while maintaining an active schedule as a recitalist. He has featured previously in the Cheltenham International Music Festival and on BBC Radio 3 live broadcasts. His recordings have also recently featured on Radio 3 programmes. There are forthcoming recitals at Notre Dame and La Madeleine in Paris as well as regular series appearances in Cheltenham and other concerts in both the UK and USA.

  • James Cook: Olympus and Apollo

    James Cook: Olympus and Apollo

    Divine Art presents two stunning organ symphonies by renowned composer James Cook, performed by the eminent British organist, Kevin Bowyer. Making his debut on the Divine Art label, Bowyer brings to life Cook’s Symphony No. 8 (“Olympian”) and Symphony No. 9 (“Apollonian”), both crafted in 2006 and masterfully orchestrated in 2011. This remarkable recording took place on the majestic organ of Glasgow University Memorial Chapel in 2023.

    James Cook, a prolific composer born in 1963, studied composition at Oxford University and has since created a vast array of music, including operatic extracts, sacred choral works, and an impressive collection of organ compositions. This new release marks the ninth album of Cook’s music by Divine Art, showcasing his continuous evolution as a composer.

    The Olympian Symphony, Cook’s eighth symphony, is an expansive and evocative piece inspired by Mount Olympus, the mythical home of the Greek gods. It consists of four movements: Soliloquy, a meditative and introspective movement that builds to a powerful climax before gently fading away; Anglais, an energetic and angular dance in 2/2 time, contrasting leaping intervals with scalic melodies; Pastorale, a serene nocturnal scene, mostly quiet with a dynamic central section, concluding with a whispering ppp; and Expansum, grand and noble, featuring majestic chords and sweeping passages that suggest an endless journey. Prefacing the symphony, Cook includes a quote from John Trapp: “Should we not be as serious and sedulous in building staircases for heaven as the wicked are in digging descents to hell.”

    The Apollonian Symphony, Cook’s ninth symphony, depicts the vibrant and varied experiences of a long summer’s day by the seaside in Victorian or Edwardian times. It comprises seven movements: Introduzione, where dawn breaks on a summer morning; Allegro, capturing the excitement of starting the day’s adventures; Allegretto, reflecting a mellow, reflective mood at noon; Alla Marcia, as a military band parades by in the afternoon; Presto, with a playful street urchin mocking the band as it passes; Prestissimo, where the day grows more intense as the late afternoon heat gives way to early evening revelries; and Adagissimo, concluding the day as the visitor retreats to the tranquility of a forest, ending the night in peaceful reflection. The finale is titled with Cook’s own words: “Fractious day yields to sublime night.”

    Kevin Bowyer, celebrated for his unparalleled skill and daring performances, has captivated audiences worldwide. Born in Southend-on-Sea, Bowyer trained at the Royal Academy of Music and further honed his craft under the guidance of David Sanger. His illustrious career includes numerous accolades, such as the prestigious Medal of the Royal College of Organists and the “Lifetime Award” from the German Record Critics in 2023.

  • Parallels – music for organ

    Parallels – music for organ

    Parallels is meticulously curated album that explores the organ’s remarkable breadth and sonority. Featuring three monumental organ works and delightful arrangements of English classics, the collection is a testament to the grandeur and versatility of the instrument.

    Florence Price’s Suite No. 1, makes its debut commercial recording. This substantial and captivating composition draws inspiration from spirituals, hymns, and pentatonic themes, showcasing a harmonious fusion of jazz influences. The rhythmic drive and themes in the final Toccato pay homage to the engaging Rubrics by Dan Locklair, creating a seamless connection between the featured works.

    The album’s title, Parallels, reflects Florence Price’s artistic vision, aiming to convey a heritage through the past while being influenced by contemporary contacts. This intention is beautifully realised in Suite No. 1, where the chromatic harmony reminiscent of Suite Gothique meets the rhythmic vitality of Rubrics. As a nod to the present day, the album includes Alexander’s own arrangement of Coldplay’s hit single Paradise, seamlessly blending modernity with Price’s timeless compositions. Parallels is not just an album; it’s a transformative auditory experience that invites listeners to explore the intersections of tradition and innovation on the Harrison and Harrison organ. The past converges with the present in perfect harmony.

    The surprise appearances of music not typically associated with the organ successfully adds an element of excitement and discovery. The album also features splendid organ arrangements of English staples like Elgar’s Chanson de Matin and Pomp and Circumstance, further showcasing the instrument’s versatility. “Parallels” is an invitation to discover the intersections of tradition and innovation, a celebration of timeless compositions, and a showcase of the capabilities of Cheltenham College Chapel’s Harrison and Harrison organ. This album also celebrates the 150th anniversary of Gustav Holst’s birth with the inclusion of Jupiter, the Bringer of Jollity fromThe Planets Op. 32 arranged by Thomas Trotter.

    Alexander Ffinch has established himself as a renowned organist with performances spanning the UK, Europe, USA, and Asia. Notable for his role as the College Organist at Cheltenham College since 2004, Alexander oversees daily organ performances in the College Chapel and accompanies choirs while maintaining an active schedule as a recitalist, featuring prominently in events like the Cheltenham International Music Festival and BBC Radio 3 broadcasts. His 2019 album, Transformations (DDA 25193), received critical acclaim.

  • Companions: Contemporary Organ Music

    Companions: Contemporary Organ Music

    A new album of ten contemporary organ works from nine composers representing six countries.

    Carson Cooman presents a program of contemporary music for organ recorded on the remarkable post-romantic Thomas Gaida organ of the Pauluskirche in Ulm, Germany. The music varies widely in character and scope, from smaller character pieces and meditations to several dramatic, large-scale works. The final piece is the grand 15th organ symphony of English composer Bernard Heyes. Some like David Lasky’s ‘Peace Prayer No. 1’ have a special resonance in today’s world.

  • Marian Sawa: Music for Organ

    Marian Sawa: Music for Organ

    Marian Sawa (1937-2005) began serious studies at the age of 14 at the Salesian Organ School, Przemyšl, Poland. He toured actively as an organ performer and from 1966 taught organ at several prestigious schools. As a composer he wrote about 800 pieces in various genres, centred round his music for organ. His music builds on the Polish post-Romantic tradition, knitting fragments from folk tunes and hymns into his work, drawing strongly on Gregorian chant and traditional Polish material.

    Sawa’s personal and individual voice makes his music very recognizable and though little known outside Poland to date, he can be considered perhaps the greatest Eastern European organ composer of the 20th century.

    The pieces on this album, composed between 1971 and 2005, demonstrate vividly the range, variety and often enormous power of his compositions. This recording of the exquisite Fleiter organ (2014) at St. Ludgerus, Billerbeck, was made using the Hauptwerk remote digital access system.

  • Antiphonies (Carson Cooman Organ Music vol. 14)

    Antiphonies (Carson Cooman Organ Music vol. 14)

    Carson Cooman is many things musical – organist and Composer in Residence at the Memorial Church, Harvard University; writer, critic and consultant, concert organist, and above all a highly prolific composer of music in a wide variety of genres, from orchestral to song. Recent counts show over 3000 tracks of his music available online with over 300 compositions written for him by more than 100 composers.

    His organ compositions come in many styles, from liturgical models, to substantial secular pieces such as his organ symphonies, preludes and fugues. On this album a range of works, most composed between 2013 and 2020, wonderfully realized on a fabulous instrument.

    Erik Simmons is a superb organist, making his 14th Cooman organ album for Divine Art. We hear the gorgeous voices of the organ of Propsteikirche St. Ludgerus in Billerbeck, Germany, recorded through the Hauptwerk system.

  • Invocazione brillante: Organ music by Carson Cooman

    Invocazione brillante: Organ music by Carson Cooman

    Carson Cooman is many things musical – organist and Composer in Residence at the Memorial Church, Harvard University; writer, critic and consultant, concert organist, and above all a highly prolific composer of music in a wide variety of genres, from orchestral to song. His organ music ranges from the delicate and mystical, liturgical and devotional pieces to dynamic concert works including a majestic set of Preludes and Fugues and so far) three Organ Symphonies.

    Alongside the series of recordings made by Erik Simmons for Divine Art, we are delighted to offer this new recording by top German organist Philip Hartmann, which includes some pieces previously recorded by Simmons and some new premieres. Hartmann has been organist at Ulm Cathedral, Germany since 1999 and in 2005 was appointed as district Cantor for Ulm deanery. He has played more than 600 recitals throughout Europe. He specializes in American and British organ music and has had 40 new works dedicated to him. Here he plays the magnificent 2013 Link-Gaida organ at Pauluskirche, Ulm.

  • Eternal City (Carson Cooman Organ Music vol. 13)

    Eternal City (Carson Cooman Organ Music vol. 13)

    Carson Cooman is many things musical – organist and Composer in Residence at the Memorial Church, Harvard University; writer, critic and consultant, concert organist, and above all a highly prolific composer of music in a wide variety of genres, from orchestral to song.

    His organ compositions come in many styles, from liturgical models, to substantial secular pieces such as his organ symphonies, preludes and fugues. On this album a range of works, most composed in 2017-9, which are ideal for the rich and atmospheric sound of the chosen instrument.

    Erik Simmons is a superb organist, making his 13th Cooman organ album for Divine Art. He is again playing the wonderful ‘Sun Organ’ of St. Peter & Paul, Görlitz, recorded through the Hauptwerk system.

  • How Great our Joy! – Organ music for Christmas

    How Great our Joy! – Organ music for Christmas

    A special album of works for Christmas – many of them arrangements and fantasias on well-loved hymns and carols, and some new dedicated compositions. All the music is by Carson Cooman, composer in residence at the Memorial Church, Harvard University, and America’s most prolific composer of works for organ. This music is just as good to listen to at any time of year and is expertly played by Erik Simmons, a superb organist for whom this is the twelfth album of Cooman’s music on the Divine Art label. We hear the wonderful ‘Sun Organ’ of St. Peter & Paul, Görlitz, recorded through the Hauptwerk system.

    Find the other issues in this series and a discount complete set by clicking on the composer name above or in the composer index.

  • Transformations – music for organ

    Transformations – music for organ

    Three major organ works: one from Liszt, one of the masters of high Romanticism and bubbling virtuosity; the powerful Heroic Sonata of Jongen and the first commercial recording of the delicately figured piece ‘The Dancing Pipes’ by Jonathan Dove, one of today’s most appreciated composers. This superb program is titled ‘Transformations’ as each piece contains musical transformations of themes; it also reflects the transformation of the fine Harrison & Harrison organ at Cheltenham College Chapel – this is its first recording since a full restoration in 2017.

    Alexander Ffinch studied at the Royal College of Music and was organ scholar at Keble College Oxford. He gave over 100 recitals as resident organist at Lancaster Town Hall and continues to undertake a busy concert and broadcasting schedule (sadly his planned August 2019 debut at Notre Dame Paris is ‘on hold’). Alexander was appointed College Organist at Cheltenham in 2004 since when he has played daily in the Chapel as well as giving regular recitals; he oversaw the 2017 restoration and manages the work of both students and visiting recitalists.

  • Portals – Carson Cooman Organ Music vol. 11

    Portals – Carson Cooman Organ Music vol. 11

    Carson Cooman is many things musical – organist and Composer in Residence at the Memorial Church, Harvard University; writer, critic and consultant, concert organist, and above all a highly prolific composer of music in a wide variety of genres, from orchestral to song.

    His organ compositions come in many styles, from liturgical models, to more gritty and substantial pieces such as his organ symphonies, preludes and fugues. This album contains several fine works including the Third Organ Symphony.

    Erik Simmons is a superb organist, making his eleventh Cooman organ album for Divine Art. He is playing the wonderful ‘Sun Organ’ of St. Peter & Paul, Görlitz, recorded through the Hauptwerk system.

    This is volume 11 of this highly praised series. Volume 12 is a Christmas music album; volume 13 due June 2020.

    Find the other volumes and a discount complete set by clicking composer name above or in the composer index.

  • Jonathan Östlund : Voyages (Download album)

    Jonathan Östlund : Voyages (Download album)

    Jonathan Östlund is a composer from Sweden who has pursued his passion for music with a BA and MA in Composition at the LTU, in Sweden. He has so far completed more than 100 works, including several orchestral pieces, a Piano Concerto and a Violin Concerto, and has been awarded many prizes in international competitions.

    ‘Voyages’, his second release under Divine Art (after ‘Lunaris’, in 2016), is a double album (issued in digital form only), featuring vocal, instrumental and chamber music, as on ‘Lunaris’, while in addition also featuring two orchestral recordings and works for organ. This new album with a focus on nature, enigmatic atmospheres and introspective journeys, is presented by top international soloists, some of whom have given the world premieres of these works.

    Östlund writes music with natural poetic melodies and highly sophisticated harmonies, blending tradition with contemporary expression.

    This album can also be obtained as a double CD (two tracks omitted in order to fit on 2 discs) HERE