Divine Art Records

Genre: Vocal/Choral

  • A Spotless Rose

    A Spotless Rose

    On 10 April 2026, Divine Art presents A Spotless Rose, a thrilling collection of choral works by leading contemporary British composers including James MacMillan, Jonathan Dove, John Rutter, Kerry Andrew and more, from the award-winning vocal ensemble The Purcell Singers, conducted by Jonathan Schranz & Mark Ford.

    This digital only album takes listeners through a journey of themes of arrival and the sea, with Christmas themed texts and poems, Marian hymns and folksong. A Spotless Rose culminates in the premiere recording of John Rutter’s Three Shakespeare Songs. The work is dedicated to the Purcell Singers and conductor Mark Ford, an acknowledgement of Rutter’s long and fruitful relationship with the ensemble, and issued to celebrate the composer’s recent 80th birthday, completing a rich and rewarding album.

    The title track is Paul Mealor’s setting of the 14th century Christmas text A Spotless Rose, the emotional heart of his madrigal cycle ‘Now sleeps the crimson petal‘, a meditation on the mystery of the Incarnation, in which the metaphorical rose unfurls with gradually building textures and a staggering range of tessitura. Will Todd’s carol My Lord has Come, from his own poem, is a favourite amongst choirs and audiences alike. At the climax of the piece, ‘his love will hold me’ bursts out of the preceding tranquillity. Jonathan Dove’s The Three Kings is a true modern classic, with text by Dorothy L Sayers, telling the story of the magi.

    In the eight-part Ave Maria by award-winning composer Sarah Cattley, upper and lower voices are frequently treated as two separate choirs, combining for added harmonic tension at key moments; Sir James MacMillan’s setting of the medieval Marian hymn Ave Maris Stella is in just four parts, harmonising a strikingly simple soprano melody in increasingly inventive ways. In a contemporary contrast Kerry Andrew’s atmospheric setting of the folksong All things are quite silent was originally written to perform using a loop station music device, gradually layering the sounds of the sea with fragments of a tune they found in an old book of English folksongs about a girl who loses her love to the sea.

    Sir John Rutter’s Three Shakespeare Songs draw inspiration from settings by Finzi and Vaughan Williams. O mistress mine takes the form of a jazz waltz, Be not afeard uses expansive harmony and deep textures to create a mysterious aural landscape and Sigh no more, ladies brings the set to a cheerfully energetic conclusion.

    One of London’s leading chamber choirs, The Purcell Singers, formed in 1994 by conductor Mark Ford, has performed extensively in the UK and internationally. The group has a wide repertoire, ranging from Gibbons to Tavener, via Bach, Howells, Poulenc, Barber and Britten, and has developed a particular reputation for championing unusual late romantic works, notably those of the German composer Georg Schumann. The Purcell Singers are also active in session work, and have recorded several discs for film and television.

  • Estrellita

    Estrellita

    Divine Art is delighted to announce a superb collection of sensuous classical Spanish language songs for voice and piano, from the sublime musical partnership of lyric soprano Esther Rayo and renowned pianist and conductor Peter Grünberg. This program of works was first heard in a series of concerts given by the San Francisco based teaching and performance organization LIEDER ALIVE!

    The songs are by early 20th century composers: Fernando Obradors, Manuel de Falla, Enrique Granados, Alberto Ginastera, Xavier Montsalvatge, Consuelo Velázquez and Manuel Ponce. Drawing from Spanish classical poetry and regional folk melodies, these vibrant song cycles offer appeal to art song aficionados and first-time listeners alike.

    Born in California, and surrounded by Spanish music and language, this music is close to Esther Rayo’s heart. Her connection with these songs started when she was introduced to the music of Manuel Obradors while in college. Obradors offered the perfect starting point for her continued study and discovery of Spanish art song, and she was guided by the great 20th century sopranos Montserrat Caballé and Victoria de los Angeles, who kept this music alive.

    While she was at graduate school in 2017, Esther was introduced to Peter by Maxine Bernstein, Founder and Director of LIEDER ALIVE! and they made an immediate musical connection around the works of Spanish language composers. LIEDER ALIVE! helped provide opportunities for Peter and Esther to perform this music together, alongside its standard mission of promoting German Lieder. Over the years they continued to study and learn more classical Spanish repertoire, resulting in this, their debut album together. And, even after all these years, they still feel they’ve only just scraped the surface of this wonderful repertoire!

    https://youtu.be/JpWnLkto2wM&w=720

  • Discovering Wilfred Heaton

    Discovering Wilfred Heaton

    “Creative Outlet and Classical Conduit: The Importance of British Brass Band” by Paul Hindmarsh – Classical Music

    Discovering Wilfred Heaton: Premiere recordings of major instrumental works by a remarkable yet overlooked English composer.

    Wilfred Heaton (1918-2000) is a name well-revered in brass band circles, but nearly unknown in the wider world of classical music. Discovering Wilfred Heaton seeks to change that with no less than seven premiere recordings from pianists Murray McLachlan and Rose McLachlan, tenor James Gilchrist, clarinetist Linda Merrick, and flutist Alex Jakeman.

    The album is anchored by the first recording of Heaton’s monumental Piano Sonata, which was performed in 2024 to rapturous applause by Murray McLachlan at Manchester’s Stoller Hall. The Sonata, composed in the 1950s, is a work of striking ambition and depth. Harmonically daring, emotionally raw, and technically formidable, it stands comparison with the great mid-century sonatas of Bartók and Prokofiev. From the muscular counterpoint of its opening, through a grief-tinged slow movement and a dazzling finale, Heaton’s sonata reveals a powerful, individual voice—he was fearless in embracing big themes, bold melodies, and contemporary idioms.

    Also featured are first recordings of the Three Pieces for Piano (1954), and the poignant piano suite Pilgrim Reflections, adapted from Heaton’s mystery play Pilgrim’s Song. A selection of Heaton’s rarely-heard songs—written in his youth and again in later life—are performed here by the acclaimed tenor James Gilchrist, accompanied by Rose McLachlan. Together, these works illuminate Heaton’s stylistic evolution: his command of bitonality, rhythmic complexity, and melodic invention, rooted in a deep understanding of Bach and Brahms, and influenced by Walton, Hindemith, Bartok and Stravinsky.

    Heaton’s career was shaped by a lifelong tension between personal conviction and professional ambition. A deeply private Yorkshireman, he turned away from a mainstream musical path after early promise—studying with Mátyás Seiber and submitting works to the Society for the Promotion of New Music—choosing instead a life of teaching, reflection, and selective composition. The result is a body of work of exceptional quality, much of it unpublished or unheard until now.

    This album is not only a significant act of musical archaeology by Heaton’s biographer and editor Paul Hindmarsh – it is a compelling argument for Heaton’s inclusion among Britain’s most original post-war composers.

    Track highlights:
    • Piano Sonata (premiere recording) – Murray McLachlan,piano
    • Three Pieces for Piano (1954)
    • Pilgrim Reflections (suite for solo piano)

    For fans of: Bartók, Britten, Prokofiev, William Walton, Elisabeth Lutyens, early Tippett.

    An essential discovery for collectors, performers, and listeners drawn to British 20th-century repertoire beyond the usual names.

  • advena: liturgies for a broken world

    advena: liturgies for a broken world

    2026 GRAMMY® Award Nominee: Best Choral Performance

    advena: liturgies for a broken world, featuring world premieres of choral music from composer Mark Buller performed by GRAMMY® Award-winning choir Conspirare and Artistic Director Craig Hella Johnson.

    Born of personal reckonings with inherited faith and culture, Mass in Exile and Requiem for the Light are liturgies shaped by the world of today. Composed by Mark Buller with librettist Leah Lax, these works reimagine these ancient forms with the immediacy our present moment demands. Composed by Mark Buller with librettist Leah Lax, these works reimagine ancient forms through the lens of our present moment. Buller’s vibrant musical language combines with mystical choral textures to create an emotional intensity that feels both intimate and urgent.

    These works are presented between two companion works — Introit: Fruit of Your Heart and Communion: A Questioning— with texts by British poet and librettist Euan Tait which offer chant-like settings that extend the project’s core themes, anchoring the whole in a wider human arc.

    Artistic Director and conductor Craig Hella Johnson is passionate about the power of Buller’s music in this moment, saying:

    “We find ourselves in a pivotal cultural moment—one that calls for expressions of beauty and truth, offered both for inspiration but also as acts of resistance. This collaborative art—Mark Buller’s music and the words of Leah Lax and Euan Tait—creates a space of welcome where we are reminded of our shared humanity, our urgent need for bold truth-telling, and our capacity to heal and grow.”

    Conspirare is at their finest in this music and singers Simon Barrad, Emily Yocum Black, and Michael Hawes can be heard in solo roles. Conspirare is joined by dynamic instrumental collaborators Patrice Calixte, Mariama Alcântara, Bruce Williams, Douglas Harvey, Jessica Valls, Marc Garvin, and Thomas Burritt.

  • Full of Grace: Choral Music of James Woodhall

    Full of Grace: Choral Music of James Woodhall

    A new choral album of radiant melody and profound reflection

    Composer James Woodhall presents Full of Grace, a deeply expressive new choral album that moves between the intimate and the exultant. Drawing inspiration from sacred texts, ancient prayers, and moments of divine revelation, this collection weaves together contemporary choral writing with timeless spiritual themes.

    The album opens with the title track, Full of Grace, a lyrical meditation on the Angel Gabriel’s greeting to Mary and the incarnation. With warm harmonies and a memorable, flowing melody, the piece captures both the stillness and the awe of that encounter, while its vibrant central section echoes the heavenly proclamation to the shepherds.

    At the heart of the album lies The Damascus Sequence – an 11-movement cantata chronicling Saul’s dramatic conversion from persecutor to preacher, drawn closely from Acts 9. This narrative arc, from darkness to vision, turmoil to peace, is vividly painted in choral textures, duets, and solos. Tracks such as Murderous Threats, I am Jesus, and Saul Sees and is Saved reflect Woodhall’s gift for text-setting and storytelling through music, bringing ancient scripture to life with a keen sense of pacing and atmosphere.

    Later in the album, Woodhall returns to the Nativity in The Shepherds’ Carol, a haunting and intimate new text that juxtaposes pastoral imagery with celestial wonder. His setting of Ave Verum Corpus and Ave Maria offers fresh interpretations of these enduring texts, while the final track, Light from Light, closes the album with a vision of hope and illumination – a reflection on divine presence in the world.

    Rooted in the choral tradition yet unmistakably contemporary, Full of Grace is a compelling addition to the sacred repertoire. Its accessible yet distinctive language will resonate with listeners who appreciate the choral music of James MacMillan, John Tavener, and Morten Lauridsen.

    For broadcasters, curators, and critics, Full of Grace offers music that is both spiritually resonant and musically rewarding – ideal for sacred seasons, reflective programming, and those seeking new choral music that speaks with clarity and depth.

  • Jonathan Östlund: Rêveries

    Jonathan Östlund: Rêveries

    Rêveries is the highly anticipated new album from acclaimed composer Jonathan Östlund. Renowned for his evocative and cinematic compositions, Östlund weaves together classical elegance with contemporary innovation.

    Reveries showcases Östlund’s ability to craft immersive soundscapes and ignite the imagination. Each track on the album is a masterful blend of intricate orchestration and emotive melodies, reflecting Östlund’s deep understanding of both the power and subtlety of music. From the sweeping, majestic passages to the intimate, delicate moments, the album captures a spectrum of emotions.

    Collaborating with world-class musicians, Östlund has created an album that is not just heard, but felt. 

    “It was a moving moment for me to record Jonathan Östlund’s poetic, highly musical, and flutistic work” – Myriam Hidber-Dickinson, flute

    ”Jonathan Östlund’s music has this rare emotional freshness, which I really appreciate in music. His style gives us, performers, a lot of ways for searching colors, timbres, images, all that we call ‘interpretation’.” – Evgheny Brakhman, piano

    Jonathan Östlund, a Swedish composer with a BA and MA in Composition from LTU, has completed nearly 200 works, including orchestral pieces and violin concertos. His music, performed by renowned musicians like Einar Steen-Nokleberg and Yuri Revich, is released under Divine Art Records, with acclaimed albums such as “Lunaris,” “Voyages,” “Mistral,” “Imago,” and 2023’s “Elysian”. Östlund’s achievements include premieres and CD releases with the London Schubert Players, awards like the Public Choice Award for his Cello Sonata and the Leicester Symphony Orchestra’s 1st Prize for “Celebration Fanfare.” His works have been performed across Europe, the UK, and the USA.

  • Kefi: Choral & Chamber Works by Lydia Kakabadse

    Kefi: Choral & Chamber Works by Lydia Kakabadse

    British born composer Lydia Kakabadse enjoys a multi-cultural heritage (Greek/Austrian mother and Georgian/Russian father) which deeply informs her musical output. Her new album, recorded in London, features an even more diverse range of music than her previous albums, incorporating ethnic instruments into Western music. Making much use of the ‘alternative string quartet’ (violin viola, cello and double bass), the title track Kefi also introduces the Greek Bouzouki. While demonstrating a wide diversity of textures and styles, overall the music is coloured by use of the double harmonic scale. As well as a number of chamber works the highlight of the album is the choral work Thirty Steps commissioned by the Hellenic Institute at Royal Holloway whose choir, widely regarded as among the best mixed-voice choirs in Britain today, perform the work here. The other performers here are all experienced and very well regarded in their own fields.

    Lydia Kakabadse, celebrated for her diverse music, specialises in choral, chamber, and vocal compositions. Influenced by her multicultural background and upbringing in Greek and Russian Orthodox traditions, she draws inspiration from Orthodox Church music, medieval melodies, and Greek and Middle Eastern dance. Trained in piano and double bass from a young age, she pursued music studies at Royal Holloway, University of London. Her works, including string quartets, choral pieces, and concert requiems, have garnered critical acclaim and have been featured on recordings by labels such as Naxos and Divine Art. Notable commissions include “I Remember” for Forest Preparatory School and “Odyssey” for The Hellenic Institute. Her compositions have been performed internationally at festivals and by esteemed ensembles, and her string quartet “Russian Tableaux” has been broadcast on BBC Radio 3. Currently pursuing a PhD in ethnomusicology, Lydia continues to enrich the musical landscape with her distinctive and vibrant creations.

  • Gods, Ghosts and Monsters

    Gods, Ghosts and Monsters

    This debut album, from Germany based ensemble Conceptus, features music for tenor and ensemble by Butterworth, Warlock, Holst and Bridge, in addition to Timothy Collins’ Sea Song. Collins has composed and arranged extensively for the ensemble.

    Sea Song – Timothy Collins
    Originally composed in 2018 and set to the poignant poetry of Katherine Mansfield, this evocative piece delves into themes of ageing, sorrow, and loss. Conceptus has brought Collins’ musical narrative to life with an accompanying 10-minute music film available on Apple Music and Youtube.

    Six Songs from a Shropshire Lad – George Butterworth
    Delving into themes of nostalgia and the tragedy of lost youth, this collection, originally composed in 1911, captures the essence of Alfred Edward Housman’s timeless poetry. Collins’ arrangements embellish the poignant resonance of Butterworth’s work, forever etched in the annals of English song.

    The Curlew – Peter Warlock
    Peter Warlock’s masterwork, “The Curlew,” meticulously arranged for Conceptus by Timothy Collins. Woven from the poetry of William Butler Yeats, this haunting composition, originally scored for string quartet, cor anglais, and flute, delves into macabre imagery and desolate landscapes.

    Hymns from the Rig Veda Opus 24 – Gustav Holst
    “Hymns from the Rig Veda,” is transfigured by Conceptus with these arrangements from Timothy Collins. Drawing inspiration from ancient Sanskrit texts dating back to 1500 BCE, Holst’s solo vocal triumph offers a reverent exploration of Hindu philosophical thought. Experience the profound resonance of Holst’s sacred compositions as Conceptus breathes new life into these timeless hymns.

    Three Songs by Frank Bridge
    From the reflective tones of “Come To Me In My Dreams” to the mythological allure of “Love Went A-Riding,” Conceptus navigates the emotional depths of Bridge’s compositions with grace and finesse.

    Conceptus is an international, multi-faceted and multi-disciplinary ensemble with membership drawn from Germany, Russia, Spain, the United Kingdom, Poland and Australia. Formed in 2021, the ensemble is dedicated to bringing new life to great works of the nineteenth and twentieth centuries and beyond, with a particular emphasis on Late Romantic British vocal music and song cycles.

    Conceptus has also commissioned works by award-winning German composer, organist and conductor Christoph Ritter, whose Requiem is set for a world premiere and recording in 2024. Conceptus Artistic Director, Scott Robert Shaw, released his acclaimed debut “The English Tenor” on Divine Art in 2023

  • The Songs of Thomas Pitfield

    The Songs of Thomas Pitfield

    Divine Art presents the songs of Thomas Pitfield, a revered composer whose catalogue boasts over 150 songs crafted over a lifetime of creativity and dedication. From heartfelt dedications to friends and colleagues to whimsical folk-inspired tunes, Pitfield’s compositions offer a kaleidoscope of emotions and experiences, showcasing his versatility and depth as an artist.

    This meticulously curated selection of songs is elegantly presented in a volume adorned with his own captivating artwork. The collection stands as a testament to Pitfield’s legacy with evocative interpretations of his songs by acclaimed tenor James Gilchrist, accompanied by the virtuosic pianist Nathan Williamson. With Gilchrist’s emotive performances and Williamson’s consummate skill at the keys, listeners are invited on a sophisticated journey through the melodies and moods of Pitfield’s musical landscape. The album celebrates the remarkable legacy of Thomas Pitfield, whose enduring contributions to the world of music continue to resonate and inspire.

    James Gilchrist
    Renowned for his expressive interpretations and captivating stage presence, James Gilchrist embarked on a full-time music career in 1996 after beginning his professional life as a doctor. With a repertoire spanning from baroque to contemporary music, Gilchrist has performed in prestigious venues worldwide under the baton of renowned conductors such as Sir John Eliot Gardiner and Harry Christophers. His discography boasts a diverse range of recordings, including critically acclaimed interpretations of British song cycles and baroque masterpieces.

    Nathan Williamson
    Pianist and composer Nathan Williamson is celebrated for his innovative collaborations and dynamic performances. From recording projects with esteemed tenor James Gilchrist to premiering compositions by contemporary composers, Williamson’s artistry knows no bounds. His discography includes acclaimed recordings of American and British piano repertoire, earning praise for his thoughtful interpretations and passionate delivery. As both performer and composer, Williamson continues to push the boundaries of classical music, captivating audiences with his boundless creativity and virtuosity.

  • John Boyden: A Celebration

    John Boyden: A Celebration

    By kind permission, dedicated to H.M. The Queen, Patron of the New Queen’s Hall Orchestra.

    This album to be released in March celebrates the life and career of John Boyden, a pivotal figure in British music circles, not least for his founding of Classics for Pleasure, and later Enigma Records. Two key recordings from the original catalogues are presented for appraisal anew, together with a brand new recording of the ‘Trout’ Quintet, commissioned specially for this release and recorded at the Henry Wood Hall, London,  on 10 and 11 July, 2023. Beethoven’s Waldstein Sonata is played by John Lill courtesy of Universal /Decca (successors to the Enigma catalogue), and Schubert’s Die Schöne Müllerin by Ian and Jennifer Partridge is licensed from Warner Music as current owners of the former EMI/Classics for Pleasure list.

    Schubert: Piano Quintet in A Major, D. 667 (“The Trout”) from this album is available as a digital ‘EP’ in high definition download here.

  • Dreams Desires Desolation – English Song

    Dreams Desires Desolation – English Song

    Baritone Trevor Alexander and pianist Peter Crockford present an album celebrating English Song – art-songs by composers well and not-so-well known, and some of the best examples of what is often called the Parlour Ballad, so beloved of audiences in the early years of the 20th century.

    “Dreams, Desires, Desolation was created out of our love for English Song. The album comprises a real mixture of very familiar songs, along with some relatively unknown ones, and a few which were very popular in their day but have fallen out of fashion. There are also three world premiere recordings. We believe, despite the mixture of styles, each song brings something valid to our concept.”

  • Songs for Our Times

    Songs for Our Times

    In these two premiere recordings Kingdoms and Metropolis, the stories will be familiar to many with their universal subjects, including the need for wisdom within the halls of power; transcendent love; an immigrant’s homesickness; the search for inner peace; all flow through the album evoking the spirit of our day and age. Despite our current turmoil, the overall tone of the album is a hopeful one, making it a welcome balm during our turbulent times.

    Nigerian-American lyricist Chinwe D. John strongly feels that in order to keep classical music thriving and to bring in a new audience, the work of present day composers needs to be supported. Commissioning contemporary day composers, to set music to lyrics directly reflective of our current times, is one way of accomplishing this. It was John who went in search of composers who would share her vision and passion for creating works which could be appreciated and enjoyed, works which would connect an audience and perhaps even take on a cultural significance.

    It is the combined vision of John’s settings and the subsequent compositions by Bernard Hughes and Stuart MacRae which is so effectively brought to life in this recording by the musicians. Tenor Nick Pritchard, soprano Isabelle Haile and pianist Christopher Glynn give wonderful, intimate performances which further connect the listener to the stories presented in Chinwe D. John’s lyrics.

    The production of Songs for Our Times is a testament to collaboration and cooperation, practically reflecting the intent of the artists’ work.