Bach’s Art of Fugue is a great musical enigma; left strangely unfinished, it is thought perhaps to have been intended not for performance but as a definitive guide to the writing of fugues, or a personal musical message meant as the composer’s greatest legacy … in any event it is a supreme masterpiece and here is given a brilliant and individual interpretation, in which Diana Boyle (whose Metier CD of the 48 Preludes and Fugues, Book II is also highly praised) brings out classical-style emphasis and phrasing, bring the music alive more than in traditional dry and academic accounts. The recording omits the optional ‘canons’ but includes the ‘Inversus’ sections of Contrapuncti 12 and 13. Check out the artist index for more celebrated recordings by Diana Boyle of Bach, Beethoven and Brahms and Chopin.
Label: Divine Art
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Inspiration – Homage to Maria Curcio
Maria Curcio was one of the most influential and sought after piano teachers of the latter part of the 20th century including among her students such luminaries as Martha Argerich, Peter Frankl, Radu Lupu, and Mitsuko Uchida – and Anthony Goldstone. Following Curcio’s death in 2009 at the age of 89, this is Goldstone’s tribute to his mentor – a fine recital in its own right, and works all of which have a connection to her, in some way or other. This is the first ever recording of the lovely Waltzes composed by Artur Schnabel. As a bonus we include one of the very few surviving recordings made by Maria Curcio, where she accompanies Elisabeth Schwarzkopf in a Mozart aria – a performance first broadcast in 1957.
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Venice in Mexico
Mexico after the Spanish arrived saw a great deal of European art and culture being imported, including music from the great centres such as Venice. Not having harpsichords to hand, it became usual to use local instruments, vihuela and guitarron, for continuo. This policy is used here, and the sharp clear sound of the strings with the rhythmic base gives these works a new impetus and vitality. The Vivaldi pieces are fairly well known but the fine concertos by Facco were only discovered relatively recently.
Soloists: Miguel Lawrence (sopranino recorder); Manuel Zogbi (violin); Daniel Armas (psaltery)
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Music by John Rose
John Rose writes music which embraces a post-modern freedom – allowing him to build tonal and memorable music often with a strong neo-baroque sound, strongly inspired by Bach – although Shostakovich is another source of inspiration. This is not to limit his work which is varied and rich, but emphasises his distinctive linear style.
Hopefully his work will become better known as his musical legacy deserves recognition.
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Johann Sebastian Bach Organ Works
This splendid recital of works by Johann Sebastian Bach has been produced in collaboration with Canongate Kirk, Edinburgh, to display the fine and distinctive sounds of the instrument. The booklet contains a history of the organ and its full specification. David Hamilton’s second CD, as with his recent Buxtehude album, shows a performer with skill and musicianship and also a deep empathy with the works of the baroque masters.
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The Jazz Age for Piano Duo
Above all other periods, the ‘roaring’ 1920s were possibly the years of greatest carefree feeling in British society; America too, to an extent despite the Prohibition and limitations on personal freedom. The new dance crazes, from the foxtrot to the Charleston, Black Bottom and tango, together with the ever increasing popularity of jazz and blues idioms which created the ‘hot dance’ number, created a golden era in light music, which was eagerly taken up by ‘serious’ composers; here we have a parade of gems – major works from Gershwin and Milhaud, to miniatures full of fun. Exquisitely performed as ever by Britain’s top duo.
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A Song Without Words – The Legacy of Paul Taffanel
In the late 19th and early 20th century, Paul Taffanel was probably the most influential figure in the world of flute music, as performer and composer, but more so as inspirer, commissioner and supporter of fine works by a multitude of composers; this set contains many of those, most of which, having fallen out of fashion in the modernist 20th century, have never been recorded until now – indeed many have been unperformed for years. A great shame as these are without exception, exquisite and lovely works, beautifully performed. One or two well known pieces are included too. The artists have put an immense amount of dedication into this, their ‘magnum opus’. over 76 minutes on each CD all at mid price.
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Idylls and Elegies – Music by John Jeffreys
The music of John Jeffreys is an absolute delight – overtly Romantic and non-modernist, very much in the tradition of Delius, Warlock and Vaughan Williams. Here a number of delicious orchestral works of stunning beauty are accompanied by fine dramatic vocal works and a Suite of Variations for piano. This CD is essential for anyone interested in the English pastoral tradition – or just in exquisite music.
Jeffreys songs also available: The Far Country (DDA 25049) and Northumberland and Beyond (DDV 24128)
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Avison: Harpsichord Sonatas, op. 5 & 7
This set is the final release in the Avison Ensemble’s complete recording of Avison’s orchestral and chamber music, marvellous baroque works of inspiration which have been greeted with delight by customers and critics alike. Here we have the twelve harpsichord sonatas of opus 5 and opus 7 – a worthy culmination of a fine series. The full series is available as a low-price set.
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The Piano at the Ballet
The final part of Anthony Goldstone’s brilliant triptych of recitals including transcriptions, variations, fantasias, and arrangements of music from public ‘spectacles’ – the first two CDs attracted enormous critical praise and this volume is no less fine, containing perhaps a few more well-known themes, such as those from Swan Lake and The Nutcracker, but in fresh and new arrangements by the performer – indeed most of the music here is receiving its first recording.
Now, posthumously, here is volume 2 (DDA 25148)
A Night at the Opera (DDA 25067)
The Piano at the Carnival (DDA 25076) -
Christopher Langdown Live in London
This 2-CD set contains the whole of an acclaimed recital at the Wigmore Hall, London, on 9 June 2009 by the awesomely talented young British pianist Christopher Langdown, who gives phenomenal performances of Beethoven’s Tempest Sonata and other virtuoso works, as well as the world premiere of his own Deo Omnis Gloria, a very fine set of three neo-romantic pieces conceived in the late 19th-century style. This debut album shows yet another remarkable talent in the world of modern pianism.
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Russian Piano Music Vol. 5 – Anton Arensky
Arensky was a fine pianist who actually made several recordings in the 1890s; his pianism is evident in his compositions for the instrument and he could easily be thought of as the Russian Chopin – brilliantly conceived works in the high Romantic tradition which deserve to be highly popular.
This recording was previously released briefly on Olympia.