A British pianist specializing in the late baroque and classical periods, Jill Crossland has acquired an impressive reputation for her new insights into even the most familiar and hackneyed of ‘core repertoire’ works. Penguin Guide to CDs has said “a natural Mozartean … wonderfully lyrical Beethoven”. Here, Jill gives that special treatment to the ‘Moonlight’ with a beautiful and fresh reading; she presents three Bach-Busoni chorale preludes in full Romantic style and sparkles in delightful Mozart.
Genre: Instrumental
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The Expressive Voice of the Flute
Among the instruments, the flute is one which has one of the widest expressive tones, especially heard to advantage in this collection of 46 light classics, ranging from the dreamy and romantic to the lively and sparkling. Original works are joined by many arrangements of popular orchestral or piano pieces, many by the performers. A feast of virtuosity and superb for both concentrated listening or lightening the mood. Over 145 minutes of great music. This set is a sequel to ‘Flute Vocalise’ (DDV24156) another fine collection (single CD midprice).
Some tracks on this set were previously available on ASV and have been remastered and new recordings added.
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Absolutely! – Music for string quartet and jazz soloists
When issued, this was our disc of the year, this is so new, different and unique we just love it… not mundane and simplistic crossover but a true fusion and blend of soft jazz solos and improvisations, over standard ‘straight’ classical playing: bring together the top performers Uwe Steinmetz, composer and saxophonist, jazz violinist Mads Tolling and the renowned Fitzwilliam String Quartet. Beautiful, atmospheric and a wonderful experience from beginning to end……
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Tchaikovsky Rare Transcriptions and Paraphrases, vol. 2
In this superb album Anthony Goldstone performs exquisite versions of music from Tchaikovsky’s three major ballets, The Sleeping Beauty, Nutcracker, and Swan Lake. Apart from the piece by Percy Grainger, these are, incredibly, the first ever recordings of these superb transcriptions.
See vol. 1 (transcriptions of opera and orchestral pieces) here
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Handel: Suites for Harpsichord, Vol. 2
Acknowledged without reservation as the greatest composer working in England in the 18th century, Georg Frideric Handel is revered worldwide as a master composer. His Harpsichord Suites are among the finest instrumental works of the period, we are privileged to present exquisite performances by Gilbert Rowland, one of Europe’s foremost harpsichordists.
Volumes One and Three are also available.
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Ronald Stevenson Piano Music
Ronald Stevenson is one of the most original minds in the world of the composition of music. – So said Yehudi Menuhin. This magnum opus set is a magnificent culmination of several years of planning and a great acheivement by Murray McLachlan. Stevenson’s most remarkable work, Le Festin d’Alkan, is given a superb performance as are his incredibly varied transcriptions and fantasies on Bach, Ysaÿe and Chopin (and others) and a number of his other original works.
Stevenson’s other tour-de-force, the 80-minute Passacaglia on DSCH, is played by Murray McLachlan on DDA25013.
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Russian Piano Music, Vol. 10 – Weinberg II
Mieczyslaw Weinberg (aka Moisey Vainberg) was in fact born and raised in Poland, but the vast majority of his compositional career was in the Soviet Union and he remained there for the rest of his life, in Moscow. He therefore comes well within the definition of ‘Russian’ for the purpose of this series and was certainly treated as such by the authorities. This and the preceding album (DDA 25105) which includes the first three sonatas, were originally released on the now defunct Olympia label but had a relativley short life and restricted distribution, and are still the only full recordings of these very fine works. This is music which though modern is written to comply with Soviet requirements and is thus also very approachable and melodic without ever being trite or unoriginal.
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Stephen Beville in Karlsruhe
After studies at the Royal Academy and the Royal Northern College of Music, British pianist Stephen Beville won a scholarship to study at the Staadt Hochschule in Karlsruhe, Germany. During his time there he gave several acclaimed concerts and made studio recordings, a selection of which make up this, his commercial recording debut. Described as ‘one of the most talented young musicians to emerge from the UK’ by Frankfurter Neue Press, his musicianship and deep consideration of his music are well demonstrated. In this 2 CD set the performances of the Beethoven Op. 111 and Schumann’s C major Fantasie are taken from live concerts.
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David Jennings – Music for Piano
This is the first album devoted to the wonderfully expressive piano music of David Jennings, all written between 1985 and 2010. This English composer, born in 1972, has a voice which is not afraid to challenge but always within a very traditional soundscape producing modern music ideally representing the growing English new romantic and lyrical tradition. Pianist James Willshire performs in his fine recording debut for Divine Art.
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Russian Piano Music, Vol. 9 – Weinberg I
Mieczyslaw Weinberg (aka Moisey Vainberg) was in fact born and raised in Poland, but the vast majority of his compositional career was in the Soviet Union and he remained there for the rest of his life, in Minsk (now the capital of independent Belarus). He therefore comes well within the definition of ‘Russian’ for the purpose of this series and was certainly treated as such by the authorities. This and the succeeding album (DDA 25107) which includes the remaining three sonatas, were originally released on the now defunct Olympia label but had a relatively short life and restricted distribution, and are still the only full recordings of these very fine works. This is music which though modern is written to comply with Soviet requirements and is thus also very approachable and melodic without ever being trite or unoriginal.
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Antony Hopkins – A Portrait
Antony Hopkins is a phenomenon – a fact which escapes much of the public and even press who still confuse him with the actor (Anthony). Composer, pianist, conductor, broadcaster, lecturer, author … a true man of music. A live wire at the age of 91, (as we write in May 2012), his genius has suffered from fickle fashion, his ‘serious’ music being lyrical and tuneful though certainly deep and complex; his lighter music now seen as ‘period’ – and just ripe for rediscovery. This double album contains much fine music including eight pieces written by top British composers as tributes to Antony. For all interested in the evolution of 20th century music this album will be invaluable, and it’s also made with wit and humour, to suit the character of Hopkins himself.
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Magical Places
Locations can be magical in many ways – musically they can be exotic, inspired by a holiday taken by the composer, expressions of a culture or of nature; here, special places range from England (Britten’s Aldeburgh) to Siberia to North Africa. These evocative symphonic poems for piano duet all express some fascination with locale which have excited a composer and brought about these exquisite and Romantic pieces.