Divine Art Records

Label: Divine Art

  • Pictures of Light – music by William Baines

    Pictures of Light – music by William Baines

    William Baines is one of those exceptionally gifted composers whose music still remains little known to the general music-loving public.
    Deeply rooted in Nature, it shows influences from Debussy, Scriabin, Chopin, Liszt and Ravel and has totally assimilated those exemplars into truly mature and distinguished works all his own. This album includes a number of impressionist piano solos and also the first recording (and first performance) of the Five Songs, presented by veteran tenor Gordon Pullin, who has long been associated with the music of Baines. Duncan Honeybourne has become one of the most sought after of British pianists with a sparkling discography and is totally at home in this picturesque music. This album is produced also in memory of Baines on the centenary of his death.

    The album concludes with ‘At the Grave of William Baines’ by fellow Yorkshireman Robin Walker – a fitting tribute by a living composer with similar abilities to draw inspiration from the world around him.

  • Russian Piano Music volume 15: Tchaikovsky

    Russian Piano Music volume 15: Tchaikovsky

    Stefania Argentieri is a young Italian pianist of consummate skill – so necessary to give full expression to the piano music of Tchaikovsky, much of which remains strangely under-appreciated. She has won many awards and has performed at prestigious events in Europe and the USA. She teaches at the Giordano Conservatory in Foggia and is also working as a music editor. Stefania has made recordings with her chamber ensemble. This is her second solo album for Divine Art, following her well-received recording of Prokofiev released in 2020: “outstanding (MusicWeb International); “True command of this daunting repertoire” (The Whole Note).

    This album showcases the spectrum of Tchaikovsky’s art from the pastoral and gentle (extracts from 18 Pieces and The Seasons) to the noble and high-Romantic (the ‘Grand Sonata’) and at a time when modern Russia is blighted by its leaders’ warmongering and aggression, a reminder that the Russian musical art of the past is still as instructive and valuable as ever.

  • J S Bach: “Goldberg” Variations, BWV 988 (Burkard Schliessmann)

    J S Bach: “Goldberg” Variations, BWV 988 (Burkard Schliessmann)

    Burkard Schliessmann is a unique interpreter, never afraid to find a new expression and always searching for the heart of the music and the composer’s inspiration, whether in the Romantic world or that of J.S.Bach. Among other awards, Schliessmann won three silver medals at the Global Music Awards 2017 for his Divine Art Chopin album, and has been awarded the Goethe-Plakette by the city of Frankfurt.

    This recording of the Goldberg Variations was originally released in 2007 (Bayer – SACD only, not digital) and was highly acclaimed: “ambitious and really spectacular” (AllMusic); “thoughtfully simple, always finely worked out” (FonoForum); Critics Choice 2008 (American Record Guide); Recording of the Year (MusicWeb International). Newly remastered in 5.0 Dolby Atmos audio, this brilliant recording is now offered as a hybrid 5-channel SACD/CD and in finest digital audio quality.

     

     

    Please note: the digital albums offered here are two-channel HD stereo. To obtain the 5-channel digital album visit a Dolby Atmos supplier (Apple/Amazon)

     

  • Violetta Fialko – Ciccolini Prizewinner Recital

    Violetta Fialko – Ciccolini Prizewinner Recital

    Violetta Fialko is an exceptionally talented Ukrainian pianist, who has been signed by Divine Art for her commercial recording debut, as winner of the 2021 Ciccolini Prize for Pianists, a new international competition which had to be held ‘virtually’ due to the Covid pandemic. At the time of writing this, Violetta is living in a part of Ukraine which has so far not been desecrated, having been evacuated from her home town. The audio masters arrived from the studio in Kyiv only days before the Russian attack, for which we are thankful, and we do not yet know if the studio still exists. Leaving the war aside, we have a brilliantly talented pianist who has chosen a varied and highly virtuosic program of Russian Romantic classics (though Prokofiev, to give him his due, was born in Ukraine).

    Violetta was born in 1997 into a family of musicians. She began to attend music school at the age of 5, and at 9 entered the Lysenko Specialized Music School in Kyiv, graduating with top honors in 2016 and entering the Kyiv Conservatory. She won many prizes, culminating in the 2021 Ciccolini Prize which has led to this album being made. She worked (until the current war began) as a teacher of piano performance and music theory, and is also a volunteer and program host on the Evangelical Radio station ‘Emmanuel’.

    We commend this album as the debut of a fantastic pianist and also in support of her home country and peace and freedom everywhere.

  • The fabulous Sir John: A tribute to Sir John Manduell

    The fabulous Sir John: A tribute to Sir John Manduell

    Sir John Manduell (1928-2017) was a pivotal figure in British music – as composer, BBC producer, first principal of the Royal Northern College of Music and founder of the European Opera Centre. Beloved and revered by musicians, yet someone whose name is shamefully little known outside the music and broadcasting professions.

    This album is a sequel to ‘Songs for Sir John’ (DDA 25210) which in tribute to Sir John presented works by 16 composers from more than one generation. On this new album we present music by Sir John himself, and by William Alwyn, Michael Berkeley, Adam Gorb and Richard Stoker, all well crafted works which will give great enjoyment as well as perhaps inspiring musicians to add them to their repertoire.

    Even without the Manduell connection this is a wonderfully constructed program of new chamber and vocal music. The performers, like Sir John, are based in and around Manchester, England, which is a dynamic ‘hotspot’ for fine musical creativity.

  • J.S. Bach: Six Suites for Solo Cello

    J.S. Bach: Six Suites for Solo Cello

    The Six Suites for Solo Cello by J S Bach composed around 1720, are generally regarded as the first and greatest masterpieces ever written for the instrument.

    Their scope is vast and ingenious. Although most of the time, only one note is played, occasional chords and masterful melodies imply harmony and counterpoint.

    The Suites have been performed and recorded countless times over the last 100 years, with a variety of interpretative approaches. These approaches, until recently, could often be rather academic and formal, as it used to be thought that baroque music was mostly about form. The present cellist takes a radically opposing approach, one which is inspirational and which infuses the works with vitality and spirit.

    Marina Tarasova is a world-renowned cellist with many recordings to her name for Musical Concepts and Northern Flowers among other labels, and this is her first recording for Divine Art. She has won international competitions in Prague, Florence and Paris and has a wide repertoire covering works of composers from the 17th century to the 20th century.

  • Finzi and Brahms: Music for clarinet and piano

    Finzi and Brahms: Music for clarinet and piano

    Helen Habershon is both an accomplished performer and also an inspired composer of music which often evokes nature, or human emotions and sensibilities. Her first two CDs have been highly praised and were Album of the Month and Album of the Week on Classic FM (UK) respectively. Her album ‘Found in Winter’, released in 2019, has been aired by Classic FM ever since. Helen had an established performing career until a serious injury led her to turn to composing, but she is now once again able to perform.

    Here she teams up with the successful pianist and arranger John Lenehan, who has appeared on over 70 recordings including several solo albums for Sony. It follows their March 2022 release ‘Found in Dreams’ – a collection of romantic lighter pieces, where Helen and John offer a wonderfully diverse collection of repertoire. This includes beautiful arrangements of some of their favourite pieces; a couple of short movements from the Brahms and Finzi works played in full on the new album, and some delightful new compositions of their own.

    As grand master of the high Romantic era, Brahms and his first Clarinet Sonata need no introduction. Here, that work is partnered by two songs and two of his Intermezzi, all arranged by John Lenehan for clarinet and piano. As counterpoint we have the Five Bagatelles by Gerald Finzi, a composer in the English post-Romantic pastoral tradition (with Vaughan Williams, Delius etc). Written in 1940 they are simply enchanting, delightful pieces – perhaps not in the modernist fashion of the day but which will prove enduring despite the composer calling them ‘only trifles’.

  • Visions and Ventures

    Visions and Ventures

    Works from three different musical eras seemingly unconnected – but in the mind of Pianist Stephen Beville very linked – hence the album title – as inspired by Visions and Ventures: Bach always a visionary musically and guided by his religious faith; Beethoven venturing into Romanticism with revolutionary ideas and optimism for a better world; Prokofiev caught up in the unrest in pre-revolutionary Russia, sketching pieces to escape the political turmoil – at least in his imagination. The Visions Fugitives come from a composer in his mid-twenties, just graduated and full of musical confidence, and are typically Prokofievian while some contain radical modernist elements. The Beethoven Sonata is likewise the work of a young 26-year old. It is full of playful invention and optimism and is perhaps one his most appealing works.

    Stephen Beville was acclaimed in 2010 as ‘one of the most talented young musicians to emerge from the UK’. (Frankfurter Neue Press). His interpretations have been compared to Arrau, Rubinstein and Ax. Rock-solid technique and virtuosity while avoiding showmanship have informed his playing from student days at the Junior Royal Academy in London from age 11, tutoring from the great Peter Katin, and postgraduate studies at the Royal Northern College of Music in England and the Hochschule für Music in Karlsruhe. He has performed in many international festivals.

    As well as a firm grounding in classical and 20th century repertoire, Stephen Beville is also a busy composer, his works having been performed by several leading new-music ensembles.

    Stephen’s debut CD ‘Stephen Beville in Karlsruhe’ was given warm reception on its release:
    “Beville is a thoughtful artist, whose accounts of each of the established masterpieces here are well worth hearing.” – Robert Matthew-Walker (Musical Opinion)
    “An intelligent, controlled and searching pair of hands quite capable of imparting power as well as finesse.” – Gary Lemco (Audiophile Audition)

  • Songs of Love

    Songs of Love

    Jenny Q Chai is a phenomenon… a pianist of incredible talent, at home in core repertoire and a champion and noted interpreter of 20th century and contemporary works, as well as working to develop new interactive music score software and teaching in China and the USA. She founded and manages the Face Art Institute, a Shanghai-based body devoted to international exchange of music and musicians and served on the board of Ear to Mind, the contemporary music organization in New York. Her other work as well as her concert schedule is too extensive to be listed here; she is currently based both in Shanghai and in California where she is a faculty member at the University of California, Berkeley.
    The New Yorker described Jenny as “A pianist whose dazzling facility is matched by her deep musicality”. On top of all that she also projects a modern and liberated self image.

    Jenny has a special connection with Robert Schumann, whose work she learned from her esteemed first teacher at the Curtis Institute, the late Seymour Lipkin, with whom she studied from the ages of 12 to 19. She has a special love for Kreisleriana which she says never grows old but ’ lives inside of you’. Hence the title, “Songs of Love”.

    This album which presents Kreisleriana together with two movements by Bach and Ives is Jenny’s tribute to Seymour Lipkin who she calls ‘my music grandpa’. It is also a very fine recital by a superbly talented musician who is gathering fans like a rock star.

  • Found in Dreams

    Found in Dreams

    Helen Habershon is both an accomplished performer and an inspired composer of music which often evokes nature, or human emotions and sensibilities this is music which is ‘easy listening’ and in the light music tradition, and is unpretentious, but never facile: it has deep meaning. Her first two CDs have been highly praised and were Album of the Month and Album of the Week on Classic FM (UK) respectively. Her most recent album, ‘Found in Winter’, released in 2019, has been aired by Classic FM ever since. Helen had an established performing career until a serious injury led her to turn to composing, but she is now once again able to perform. Here she teams up with the successful pianist and arranger John Lenehan, who has appeared on over 70 recordings including several solo albums for Sony.

    For Found in Dreams Helen Habershon and John Lenehan offer a wonderfully diverse collection of repertoire. This includes beautiful arrangements of some of their favourite pieces; a couple of short movements of outstanding clarinet repertoire by Brahms and Finzi and some delightful new compositions of their own. As well as his beautifully crafted arrangements John has also written two lovely pieces to add to Helen’s. The cover design is a dream image from Helen’s five year old grandson.

    Throughout history mankind has been intrigued by the idea of dreams and Helen is no exception. As she says: “It’s interesting that all happenings begin as an idea and in order to get an idea one has to be in a receptive place. When creating I find myself in a kind of timeless space, rather like a daydream. I love the freedom of dreams, anything can happen. There are no boundaries and we are free to explore with no limits. The theme of ‘dreams’ came quite naturally and many of the pieces in the album reflect this.”

  • Tom Hicks: Liszt and Ireland Piano Sonatas

    Tom Hicks: Liszt and Ireland Piano Sonatas

    Hailed as an artist of ‘magnificent pianism’, Guernsey-born pianist Tom Hicks has been praised for his ‘gorgeously creative playing’ that ‘transports the listener to another place and time’. Hicks is a gold medallist in numerous national and international competitions and holds degrees and awards from The University of Manchester, The Royal Northern College of Music, Yale University and Northwestern University, where he now lectures. His first disc featuring John Ireland’s Sarnia, ‘Tom Hicks: Ireland and Tchaikovsky’ has been described as ‘brilliantly evocative’ by Colin Clarke in International Piano, and ‘gorgeously creative’ by Scott Noriega in Fanfare.

    In his first recording for Divine Art, Tom presents stellar performances of two major Sonatas – those of Franz Liszt and John Ireland. A generation apart, both are highpoints of the Romantic and post-Romantic era. This playing puts Hicks at the top of the tree for his bold expressiveness and vision.

    On this album Hicks prefaces the Sonatas with shorter, but equally imaginative and expressive pieces: two Preludes by Stanford, Cortège by Rebecca Clarke, and one of the charming waltzes from the ‘Three-Fours’ Suite by Samuel Coleridge-Taylor.

    Tom Hicks is also a strong supporter of contemporary composers and his new album of music by British composer Camden Reeves, inspired by the harmonies and rhythms of blues music, will be released in the late spring of 2022 (“Blue Sounds”) – Métier MSV 28604)

  • Syncopated Musings

    Syncopated Musings

    Rags, Concert Waltzes and Novelties for the Pianoforte by Scott Joplin and his Collaborators.

    Since the rediscovery of Scott Joplin’s ragtime genius in the 1970s his music has been an important part of the popular/light classical repertoire. Yet though he called himself with some justification “The King of Ragtime Writers” he was not a brilliant pianist; he was actually a trained violinist and cornet player and was lead singer of the Texas Medley Quartette. This wide experience helped to make his piano rags full of interest. All the same, most recordings concentrate on the most familiar works and ignore the many other superb pieces in Joplin’s substantial output. This new album from New York pianist Marilyn Nonken (Professor of Music at New York University’s Steinhardt School) includes some well-known works and some rarities. Rags, concert waltzes and other novelty pieces show brilliance and a well-honed craft.

    Joplin is perhaps the best known of the ragtime piano circle, but he was part of a community of composers. many of whom had short and tragic lives of poverty and ill health. While composing few works that have survived, the four represented here all collaborated with Joplin as joint composers: Louis Chauvin (1882-1908); Scott Hayden (1882-1915), Arthur Marshall (1881-1968) and the odd man out, the white composer Joseph Lamb (1887-1960) of whose work Joplin said ‘That sounds like a good colored rag!’