Divine Art Records

Period: 20th Century

  • Eugène Ysaÿe – Violin Discoveries

    Eugène Ysaÿe – Violin Discoveries

    Belgian violinist, conductor and composer Eugène Ysaÿe (1858–1931) has been recognized as one of the greatest violin virtuosos of the 19th and early 20th centuries; regarded as the “King of the Violin” by Nathan Milstein, his legacy has inspired generations of musicians. Ysaÿe was also a true avant-garde composer whose works feature revolutionary modern violin technique, unique expressive devices, profound musicality and harmonic originality, which eventually served as the bridge between the era of the Romantic virtuoso and contemporary music. It is odd, then, to realise that many of his works remain unknown, unpublished and unrecorded. This album presents for the first time several works for violin and piano ranging from 1885 to 1924, and a previously unknown Violin Concerto in G minor from 1910, which was orchestrated by Sabin Pautza.

    Romanian violinist Sherban Lupu is internationally known; he studied in London with Yehudi Menuhin and other leading teachers and has a very busy career, being best known for his discovery, publication and performance of the music of Enescu, but also has held prestigious posts in Italy and Romania and as concertmaster of San Francisco Opera, USA. He is accompanied here by the bright young pianist Henri Bonamy (who was Professor of Piano in Seoul, Korea and now teaches in Munich) and the fine orchestra of Liepāja, Latvia. The conductor is Paul Mann who has made a name recently with many recordings for Toccata Classics.

  • At the Heart of the Piano

    At the Heart of the Piano

    A special 3-CD / triple digital album of great Romantic works by one of the world’s most accomplished pianists specialising in works of that era. These stunning performances of Busoni’s Chaconne (after J S Bach) and Berg’s Sonata are receiving their first release; the other tracks were previously issued (on CD only, not digitally ) by Bayer and have been newly remastered.

    Schliessmann is a unique interpreter, never afraid to find a new expression and always searching for the heart of the music and the composer’s inspiration.

    On their initial release these recordings attracted great accolades: American Record Guide said : “The best pianist I know at entering the world and expressing the awareness of the German romantics. There is something personal and unique about Schliessmann’s Schumann. It does not sound like anyone else’s. He is better than any other pianist I have heard.”

    High Performance Review said of his Scriabin: “This is the most imaginative playing one has heard yet – on the level of Richter, Michelangeli, Wild, Gould – the highest order of artistry.”

  • ‘From Russia’ – music for clarinet and orchestra

    ‘From Russia’ – music for clarinet and orchestra

    Pure enjoyment is provided by this delightful new recording of popular Russian music arranged for clarinet and orchestra by Robin White. From Rimsky-Korsakov’s Clarinet Concerto – originally scored for military band – to the Andante Cantabile from Tchaikovsky’s first string quartet (a staple for arrangers for decades) this is a beautifully played album by one of Britain’s busiest orchestras. An interloper (but a welcome one) from Italy (but of Eastern European style) provides a superb finale.

    Ian Scott is the principal clarinet of the Royal Ballet Sinfonia and has been guest principal with several top London orchestras. He has previously made premiere recordings of Clarinet Concertos for ASV and Dutton. Arranger and conductor Robin White has enjoyed a very busy and varied career; his first recording (1992, Chandos) was very popular and he has made other recordings of light music for several labels. He has managed his own orchestra and choir and appeared, with his choir, in a pivotal episode of the British TV drama series EastEnders. As an arranger of light music, his work has been broadcast by BBC orchestras many times.

  • Il Maestro e lo Scolare

    Il Maestro e lo Scolare

    For the first time, here is an album full of piano duets written expressly for teacher and student, from the first in the genre, Haydn’s Il Maestro e lo Scolare, through many well known composers of the 19th and 20th centuries up to the current decade.

    Very few of these works have attained any sort of public awareness apart from Stravinsky’s Easy Pieces, but though written deliberately with one ‘easy’ part for the learner, the pieces are thoroughly delightful, tuneful and never simplistic: indeed they display all the hallmarks of Romantic, Impressionist (and in two cases jazz-inspired) music-making of high quality and all make for extremely entertaining and pleasant listening.

    Antony Gray is a London-based pianist and teacher with acclaimed recordings to his name. His work with students of all ages, those that wish to pursue advanced training and even those who do not, produces a wonderful rapport which shines through in these recordings. Over 50 of Gray’s students are represented on the album.

  • Marius Constant: Orchestral Works

    Marius Constant: Orchestral Works

    Marius Constant (1925-2004) was born in Romania and began formal music education at the Royal Bucharest Conservatory at the age of 11, also being enrolled in the Lycée Français: he later moved to France where he developed his remarkable career. Best known in musical circles for his ballets, and by the general public for the Twilight Zone theme, he is truly one of the 20th century’s most gifted and inspired composers, and one of the most cruelly overlooked. His orchestral works here are inspired by nature and art and encompass beauty and emotional power in a unique contemporary style.

    The Riverside Symphony was founded in 1981 and comprises many of the best of New York’s finest musicians. Acclaimed for its devoted championing of unfamiliar and new works, its annual concert series at Lincoln Center have brought much praise for their innovative programming. Olivier Charlier, soloist in 103 Regards dans l’eau, has been recognised internationally for his superlative playing; he has played with over 50 French orchestras as well as orchestras from around the world.

    This album was originally released by Riverside in 2014 but in the USA only. It includes a video with archival clips of the composer and discussions with the orchestra directors (formatted for computer playback).

  • Babadjanian, Chebotaryan & Piazzolla: Piano Trios

    Babadjanian, Chebotaryan & Piazzolla: Piano Trios

    2021 MusicWeb International Recording of the Year

    This is the debut album from Quebec-based Trio de l’Île, a young ensemble of exceptional talent, comprising Uliana Drugova (violin), Dominique Beauséjour-Ostiguy (cello) and Patil Harboyan (piano). The group was founded in 2015, and the three members have all enjoyed success in their careers to date, as performers and teachers.

    The Piano Trio in F sharp minor (1952) by Armenian composer Arno Babadjanian (1921-1983) is widely considered one of the greatest masterpieces of the genre; the Andante a particularly beautiful and much-loved melody.. The work is joined by another Armenian piece, the trio (1945) by Gayané Chebotaryan (1918-1998), which has stronger inspiration from the Armenian folk inflections familiar in the music of Khachaturian as well as the Russian classical tradition.

    As a contrast we have the ‘Four Seasons of Buenos Aires’ from 1960 by Argentinian legend Astor Piazzolla, the composer who revolutionized the tango, turning it from a steamy dance into a true art form. Lively, exotic and highly rhythmic, these pieces embody the Latin spirit totally. The arrangement for piano trio is by cellist José Bragato, a member of Piazzolla’s own Octet.

     

  • 20th Century Polish Chamber Music

    20th Century Polish Chamber Music

    Three works by Polish composers of great stature: the music of Karol Szymanowski is now very well known; he was responsible for the first real flowering of Polish music after Chopin, developing from the Romantic to expressionism to modernism. His Op. 9 violin sonata is his earliest chamber composition, written when he was 22 and found immediate success with audiences, if not all of the critics at the time.

    The Piano Trio of Andrzej Panufnik, who later became a British citizen, is also an early work and as his Op. 1 (he did not give opus numbers to any other composition) symbolises the beginning of his great career. Elements of modernism, Romanticism and jazz inspire this superb piece. It is heard here in the composer’s revised version from 1977.

    For Grażyna Bacewicz, chamber music played a very important role alongside concert works; she summed up the 200 year era from Chopin to Rachmaninoff as a great virtuoso composer and performer – on both violin and piano. The fourth piano sonata is generally considered her greatest – described by one critic as ‘contemporary Brahms’.

    The members of the Huberman Trio, based in Czestochowa, Poland, are all first class musicians with successful solo and orchestral careers:
    Magadalena Ziarkowska-Kołacka (violin);
    Sergei Rysanov (cello); Barbara Karaśkiewicz (piano)

    Chosen by Peter Burwasser of Fanfare in his 2021 Want List (top 5 albums of the year)

  • La Mer bleue

    La Mer bleue

    This album is built around Messiaen, birdsong and impressionism. First we have book 1 of Messiaen’s Catalogue d’oiseaux, together with two newly written interludes and a postlude for two violins, transferring the song to the strings. Messiaen’s work is a journey towards sunlight, colour and company, from mountain to coastline, together with three feathered songsters.

    English composer David Gorton is best known for his uncompromising modernity but in his Ondine, he has produced a work much more accessible and although not specifically based on birdsong, it has many resonances with the Messiaen, and is an ideal partner to the earlier work; this is its first recording.

    With Szymanowski we reach the mainstream of 20th century writing, Romanticism hardening in light of the Great War and the October Revolution. This work, one of his greatest, is imbued with passion, longing, and in the words of Sorabji, ”an elevated ecstasy of expression”.

    Roderick Chadwick, as both soloist and collaborator, has performed some of the most challenging works for piano; his recent Stockhausen disc was highly praised. He is a particular expert on Messiaen and in 2018 co-authored and published a book on the Catalogue d’oiseaux.

  • The 3-Piano Project

    The 3-Piano Project

    While music for two pianos is encountered frequently, larger groups of pianos are rare, so this is an excellent opportunity to explore new and recent music for three pianos by composers from Turkey, Brazil, Spain and Italy. While exploring modern techniques the music is predominantly tonal, and remarkably light and clear-textured much of the time, though never facile or shallow. The composers have used the three keyboards to explore richer melodic lines and counterpoints while avoiding the temptation to create overwhelming walls of sound. The piece by Dallapicolla in particular is open-textured and quite traditional, predating his adoption of serialism. The album includes the world premiere recording of Saygun’s major work ‘Poem’.

    The three pianists are also international – Ucbasaran and Gallo now both live and teach in the USA and Chavaldas works in Spain. They met when students at the Franz Liszt Academy of Music in Budapest, Hungary. They all have highly praised recordings and concert appearances to their credit and came together for this special album of unique works.

  • Liszt to Milhaud – A Journey with Piano Four Hands

    Liszt to Milhaud – A Journey with Piano Four Hands

    The Divine Art label has long been associated with music for piano duo – whether at two pianos or one – through the sterling and brilliant work of Goldstone and Clemmow and more recently Piano-à-Deux. The label is delighted to welcome a new duo with this program which contains several very popular and well-loved miniatures and transcriptions, bookended by major works from Liszt and Milhaud. They need no introduction save to say that from the dances, to the jazz-inflected pieces, each work is a joy to hear.

    These are sparkling performances of well known pieces and form a light counterpoint to the artists’ new 3-piano album of contemporary works. The pianists met when both students at the Franz Liszt Academy in Budapest. Zeynep Ucbarasan is from Turkey but moved to the USA for her postgraduate studies and now lives in California. Her previous recordings and concert appearances have drawn unalloyed praise. Sergio Gallo is a Steinway artist who specialises in music of the Romantic period. He has made several acclaimed recordings for Eroica and is currently recording for Naxos and Quartz. He has won many awards and currently is professor of Piano Performance at the Georgia State University in Atlanta.

  • Reminiscences of Brazil

    Reminiscences of Brazil

    The debut Divine Art album from American pianist Justin Badgerow is a program of exotic dance rhythms, sensual textures and colors from four Brazilian composers together with the exquisite Saudades do Brasil of Milhaud. Highly influenced by traditional and indigenous music and the landscapes of Brazil, this is music of infectious delight, and includes both well known works from Villa-Lobos and sparkling miniatures from Mignone, Gondim and Guarnieri.

    Justin Badgerow obtained a Doctorate in Musical Arts from the University of Colorado after earning Bachelors and Masters degrees at the Universities of Texas and Central Florida. He serves on various important committees and boards and is currently Associate Professor of Music at Elizabethtown College in Pennsylvania. A champion of Latin-American music, he has performed as a soloist throughout the USA and in Mexico, Brazil and South Africa. He has also enjoyed much success in chamber music collaborations.

    In this, his first solo recording, he demonstrates a close affinity with the music, imbuing every track with outstanding musicianship.

  • Russian Piano Music vol. 14 – Prokofiev

    Russian Piano Music vol. 14 – Prokofiev

    This is the second album in the Russian Piano series devoted to Prokofiev and includes his first and sixth Sonatas and other works demonstrating his wide ranging soundworld. His eclecticism has enabled him as a very ‘serious’ composer of post-Romantic, neo-tonal works – often modernistic and at times aggressive – to be appreciated by a wider general audience than many of his contemporaries.

    Stefania Argentieri is a young Italian pianist of consummate skill, necessary to give full expression to the music of Prokofiev. She has won many awards and has performed at prestigious events in Europe and the USA. She teaches at the Giordano Conservatory in Foggia and is also working as a music editor. Stefania has made recordings with her chamber ensemble and this is her first solo album, no doubt one of many for someone who has the brightest of futures.