Divine Art Records

Period: Contemporary

  • The Whistling Book

    The Whistling Book

    This album derives from a 1998 release from Forsyth Brothers (Manchester) featuring works published in their Recorder Catalogue. It was then called ‘John and Peter’s Whistling Book’. For this new version, remastered in 2022, several extra tracks have been added. The album features the recorder at its most scintillatingly bright – most of the music here, though very recent, is melodic, tuneful, often in dance form, and witty – for example Alan Bullard’s suite inspired by favorite foods from around the world. Two small forays into modernism are provided by superb pieces by Richard Whalley and Kevin Malone.

    John Turner is one of the world’s most respected and skilful recorderists, with a long history of recordings, publications and premieres, including regular appearances with the Academy of Ancient Music, the Early Music Consort with David Munrow, English Chamber Orchestra and Academy of St. Martin-in-the-Fields.
    Peter Lawson has also enjoyed a long and illustrious career; he taught at Chetham’s School of Music for almost 40 years and has a large and impressive discography to his name.

  • Pictures of Light – music by William Baines

    Pictures of Light – music by William Baines

    William Baines is one of those exceptionally gifted composers whose music still remains little known to the general music-loving public.
    Deeply rooted in Nature, it shows influences from Debussy, Scriabin, Chopin, Liszt and Ravel and has totally assimilated those exemplars into truly mature and distinguished works all his own. This album includes a number of impressionist piano solos and also the first recording (and first performance) of the Five Songs, presented by veteran tenor Gordon Pullin, who has long been associated with the music of Baines. Duncan Honeybourne has become one of the most sought after of British pianists with a sparkling discography and is totally at home in this picturesque music. This album is produced also in memory of Baines on the centenary of his death.

    The album concludes with ‘At the Grave of William Baines’ by fellow Yorkshireman Robin Walker – a fitting tribute by a living composer with similar abilities to draw inspiration from the world around him.

  • The fabulous Sir John: A tribute to Sir John Manduell

    The fabulous Sir John: A tribute to Sir John Manduell

    Sir John Manduell (1928-2017) was a pivotal figure in British music – as composer, BBC producer, first principal of the Royal Northern College of Music and founder of the European Opera Centre. Beloved and revered by musicians, yet someone whose name is shamefully little known outside the music and broadcasting professions.

    This album is a sequel to ‘Songs for Sir John’ (DDA 25210) which in tribute to Sir John presented works by 16 composers from more than one generation. On this new album we present music by Sir John himself, and by William Alwyn, Michael Berkeley, Adam Gorb and Richard Stoker, all well crafted works which will give great enjoyment as well as perhaps inspiring musicians to add them to their repertoire.

    Even without the Manduell connection this is a wonderfully constructed program of new chamber and vocal music. The performers, like Sir John, are based in and around Manchester, England, which is a dynamic ‘hotspot’ for fine musical creativity.

  • Jonathan Östlund: Imago

    Jonathan Östlund: Imago

    “Östlund’s 2019 double CD Voyages and 2020’s Mistral elevate him to the status of the 21st century’s Debussy.”– Jan Hocek (His Voice)

    Jonathan Östlund (b.1975) is a Swedish composer who has recently been living in Romania and before that London before returning to his home country in 2021. He has manifested an avid interest for music from an early age and has pursued his passion with a BA and MA in Composition at the Luleå Tekniska Universitet, in Sweden. He has studied under the artistic guidance of Prof. Rolf Martinsson, Prof. Jan Sandström and Prof. Sverker Jullander, among others, and has so far completed over 100 works, including several orchestral pieces, a Violin Concerto and a Piano Concerto, and has been awarded many prizes in international competitions.

    This new album follows the distinctive format of previous programs in that it features orchestral, vocal, choral, instrumental and chamber music. Östlund’s primary inspiration is nature which is brought out fully in beautiful Impressionist works such as L’eau de l’oubli and La nuit étoilee. He is also fascinated by the art of composing fantasies and paraphrases on classics and several are included here. A large team of soloists (several of whom also gave the world premieres of these works) were gathered in various locations, often having to work through lockdowns, to record this album. Östlund’s music is very accessible and tonal and often full of wit and humor, and is always atmospheric.

  • Robin Stevens: Music for Cello and Piano

    Robin Stevens: Music for Cello and Piano

    The British composer Robin Stevens (b. 1958) is a great talent who is being discovered by the global music community, due in part to the critical acclaim given to the two previous Divine Art albums of his music. His varied, stimulating and expressive work arises from many influences – from the music of the Romantic era, to mathematics, his faith and inspiration of his teachers, and he is now producing substantial works for varied instrumental groupings, which are modernist and original, but yet immediately accessible.

    An accomplished cellist himself, Stevens has produced a body of work for the instrument which should become part of the regular repertoire. On this album, works for cello and piano stand alongside pieces for solo cello, from the substantial 27–minute Sonata Romantica to several compositions in a lighter, tonal style full of Stevens’ wit and humour. Written between 1994 and 2020, they present a diverse range of expressionist and gently modernist sound worlds

    American cellist Nicholas Trygstad moved to England in 1998 to study at the Royal Northern College of Music. He became principal cello of Scottish Opera and from 2005 the Hallé Orchestra, and is very active in both solo recitals, chamber concerts and his teaching duties both at the RNCM in Manchester and also now with NYO Inspire.

    David Jones is Head of Accompaniment at the Royal Northern College and pianist for the Hallé Choir, and has given premiere performances of works by a number of prominent British composers. His previous recordings include three albums of music by Jeffrey Lewis, attracting the comment “not to be missed”: by Gramophone. Both Nicholas and David have appeared on previous Divine Art / Métier recordings.

  • Seria Ludo – Piano music by Graham Lynch

    Seria Ludo – Piano music by Graham Lynch

    English composer Graham Lynch (b. 1957) is a master of his craft, a composer whose writing is exceptionally detailed, with specific articulations and layerings; not designed for show, but for better expressing the subject matter of his works, many of which are highly impressionist. Much of his work also refers to the baroque French composers such as Couperin, a particular subject of Lynch’s study. The two suites from the White Book series are based on artwork by Sir Christopher Le Brun and other major artists. The music here ranges from a work derived and inspired by the baroque keyboard works of Couperin, through pictoral suites to the flamenco-tango Ay!

    The music is played by two American pianists: White Book 2 is performed by Albert Kim who gave the US premiere in 2018. He was a Carnegie Hall Rising Star and has performed widely throughout the US and China, currently Associate Professor of Piano at the University of Central Missouri.

    The rest of the program is presented by Paul Sánchez, a Fulbright Fellow (2005-2007) and New Piano Collective artist whose concerts and recordings have amassed generous praise: “one of the most beautiful discs in my collection..” – Fanfare; one of his discs reached No. 1 on the Billboard Traditional Album chart.

  • Marian Sawa: Music for Organ

    Marian Sawa: Music for Organ

    Marian Sawa (1937-2005) began serious studies at the age of 14 at the Salesian Organ School, Przemyšl, Poland. He toured actively as an organ performer and from 1966 taught organ at several prestigious schools. As a composer he wrote about 800 pieces in various genres, centred round his music for organ. His music builds on the Polish post-Romantic tradition, knitting fragments from folk tunes and hymns into his work, drawing strongly on Gregorian chant and traditional Polish material.

    Sawa’s personal and individual voice makes his music very recognizable and though little known outside Poland to date, he can be considered perhaps the greatest Eastern European organ composer of the 20th century.

    The pieces on this album, composed between 1971 and 2005, demonstrate vividly the range, variety and often enormous power of his compositions. This recording of the exquisite Fleiter organ (2014) at St. Ludgerus, Billerbeck, was made using the Hauptwerk remote digital access system.

  • Antiphonies (Carson Cooman Organ Music vol. 14)

    Antiphonies (Carson Cooman Organ Music vol. 14)

    Carson Cooman is many things musical – organist and Composer in Residence at the Memorial Church, Harvard University; writer, critic and consultant, concert organist, and above all a highly prolific composer of music in a wide variety of genres, from orchestral to song. Recent counts show over 3000 tracks of his music available online with over 300 compositions written for him by more than 100 composers.

    His organ compositions come in many styles, from liturgical models, to substantial secular pieces such as his organ symphonies, preludes and fugues. On this album a range of works, most composed between 2013 and 2020, wonderfully realized on a fabulous instrument.

    Erik Simmons is a superb organist, making his 14th Cooman organ album for Divine Art. We hear the gorgeous voices of the organ of Propsteikirche St. Ludgerus in Billerbeck, Germany, recorded through the Hauptwerk system.

  • La Mer bleue

    La Mer bleue

    This album is built around Messiaen, birdsong and impressionism. First we have book 1 of Messiaen’s Catalogue d’oiseaux, together with two newly written interludes and a postlude for two violins, transferring the song to the strings. Messiaen’s work is a journey towards sunlight, colour and company, from mountain to coastline, together with three feathered songsters.

    English composer David Gorton is best known for his uncompromising modernity but in his Ondine, he has produced a work much more accessible and although not specifically based on birdsong, it has many resonances with the Messiaen, and is an ideal partner to the earlier work; this is its first recording.

    With Szymanowski we reach the mainstream of 20th century writing, Romanticism hardening in light of the Great War and the October Revolution. This work, one of his greatest, is imbued with passion, longing, and in the words of Sorabji, ”an elevated ecstasy of expression”.

    Roderick Chadwick, as both soloist and collaborator, has performed some of the most challenging works for piano; his recent Stockhausen disc was highly praised. He is a particular expert on Messiaen and in 2018 co-authored and published a book on the Catalogue d’oiseaux.

  • The 3-Piano Project

    The 3-Piano Project

    While music for two pianos is encountered frequently, larger groups of pianos are rare, so this is an excellent opportunity to explore new and recent music for three pianos by composers from Turkey, Brazil, Spain and Italy. While exploring modern techniques the music is predominantly tonal, and remarkably light and clear-textured much of the time, though never facile or shallow. The composers have used the three keyboards to explore richer melodic lines and counterpoints while avoiding the temptation to create overwhelming walls of sound. The piece by Dallapicolla in particular is open-textured and quite traditional, predating his adoption of serialism. The album includes the world premiere recording of Saygun’s major work ‘Poem’.

    The three pianists are also international – Ucbasaran and Gallo now both live and teach in the USA and Chavaldas works in Spain. They met when students at the Franz Liszt Academy of Music in Budapest, Hungary. They all have highly praised recordings and concert appearances to their credit and came together for this special album of unique works.

  • Songs for Sir John – A tribute to Sir John Manduell

    Songs for Sir John – A tribute to Sir John Manduell

    Sir John Manduell was a pivotal figure in British music – as composer, teacher, BBC producer, first principal of the Northern Royal College of Music and founder of the European Opera Centre. Beloved and revered by musicians, yet someone whose name is shamefully little known outside the music profession.

    This album in tribute presents works by 16 composers from more than one generation, centred around settings of W.B. Yeats and principally songs with oboe, recorder, violin and cello. The music is varied, rich and wonderfully set to the texts, and yet the textures are always transparent and clear; there is nothing inherently ‘difficult’ for the listener. The performers are among the cream of the Music world of Northern England, and also, in the Robin Walker Nursery Rhymes (the only work not specially recorded for the album), feature the iconic veteran BBC presenter Richard Baker. Many of these artists have starred in several other Divine Art and Metier albums – click their names above for details.

    Even without the Manduell connection this is a wonderfully constructed program of new chamber music. In the track list below, the non-vocal works are marked *.

  • Malcolm Lipkin – Recollections

    Malcolm Lipkin – Recollections

    This album celebrates 50 years of the composing career of Malcolm Lipkin (1932-2017) and represents a fitting tribute to a long established and highly respected composer whose music at times was dismissed as old-fashioned for daring to employ real tunes; now it can be appreciated as thoroughly individual, proving that new music can be accessible without losing integrity. He produced a considerable collection of distinctive, finely crafted works in many genres, including two symphonies and an Oboe Concerto, six Sonatas and eight Nocturnes for piano, and chamber, vocal and choral pieces, several commissioned by leading performers.

    Three tracks here (Clifford’s Tower, Pastorale and String Trio) were recorded in 1984 by the Nash Ensemble, then as now among the cream of chamber groups; issued by Hyperion in 1986 on vinyl only, these recordings have been excellently remastered from LP for this new issue. Adding to the mix are new recordings by premier instrumentalists each of whom is celebrated in their own field as a musician of the highest calibre. Lipkin’s music whether sombre or witty is never short of interest and innovation.