Divine Art Records

Period: Romantic

  • Ek-stasis: Dionysus, Nymphs and Satyrs

    Ek-stasis: Dionysus, Nymphs and Satyrs

    Experience the captivating journey of Ek-stasis, presented by Divine Art Recordings.

    Delve into the world of myths reconstructed in music by celebrated composers from different cultures and times. This unique album features three world premiere recordings, bringing fresh and exciting music to the programme. Greek pianist and professor Zoe Samsarelou has expertly curated a selection of works that weave together an interconnected narrative, taking you on a journey through the myth of Dionysus. From the works of Couperin, Rameau, Dandrieu, and Daquin to the eminent Greek composers of the 20th and 21st centuries and the Late Romantics in between, each piece is thoughtfully selected and presented.

    The album is divided into themes of seduction, pathos, illusion, metamorphosis, transcendence, instinct, catharsis, mythos, paradox, and transition. This creates an immersive experience that guides the listener through the various stages of the myth and offers a musical perspective on the story. Accompanied by Zoe Samsarelou’s insightful prose on the collection and notes on the Greek composers featured in the program, Ek-stasis is more than just a listening
    experience. It’s a celebration of the Greek spirit that has influenced humanity for over 2,500 years, highlighting the creativity and ingenuity of these wonderful composers.

  • Rachmaninov: Suites for Two Pianos & Music for Piano Trio

    Rachmaninov: Suites for Two Pianos & Music for Piano Trio

    A new album of chamber works by Sergei Rachmaninov. This outstanding recording was made at two venues in Poland: the Łódź Academy of Music, and the Czestochowa Philharmony. The principal performer is pianist Barbara Karaśkiewicz who has made several highly praised recordings for Divine Art (and before that the esteemed Polish label Acte Preable). She performs two piano duos with her musical partner Michał Rot. The chamber works are played by the Huberman Piano Trio whose Divine Art recording of 20th Century Chamber music was also acclaimed by critics.

    Both the performances and the perfectly engineered recording offer a sumptuous program of Rachmaninov that will delight listeners.

    The Huberman Trio was formed at the initiative of Barbara Karaśkiewicz, named in honour of the great Polish artist Bronislav Huberman, famed for his performances and transcriptions of works by Chopin and others.

  • Shades of Night: a piano recital by Andrew Brownell

    Shades of Night: a piano recital by Andrew Brownell

    Step back to a time when the night was an antithesis to the clarity of illumined day. In the especially fertile imaginations of the 19th-century Romantic composers, this was a time when the world gave itself over to mystery and magic.

    These works explore the “otherness” of night and its potential for strangeness. The album also focuses on the theme of passion, mostly from the Romantic period.

    In the especially fertile imaginations of the 19th-century Romantic composers, this was a time when, shielded from the gaze of the Almighty, the world gave itself over to mystery and magic: lovers met for forbidden trysts, revelers drank and cavorted through the small hours, and spirits walked the earth.

    In this album, Brownell hopes to transport you out of our sterile, modern understanding of night and into the stranger, more interesting reality it must have been for most of human history. Described by Musical Opinion as “potentially one of the most significant pianists of his generation”, since winning 1st Prize at the 2005 J.N. Hummel Competition (Bratislava), he has achieved widespread recognition as “one of the foremost Hummel interpreters of our time” (Hudobný Život).

    Brownell’s performances have been seen and heard on BBC radio and television, Classic FM, NPR, CBC, ORF, and RBB KulturRadio. He has been soloist with orchestras such as the Hallé, Royal Liverpool
    Philharmonic, and Calgary Philharmonic.

  • Russian Piano Music volume 15: Tchaikovsky

    Russian Piano Music volume 15: Tchaikovsky

    Stefania Argentieri is a young Italian pianist of consummate skill – so necessary to give full expression to the piano music of Tchaikovsky, much of which remains strangely under-appreciated. She has won many awards and has performed at prestigious events in Europe and the USA. She teaches at the Giordano Conservatory in Foggia and is also working as a music editor. Stefania has made recordings with her chamber ensemble. This is her second solo album for Divine Art, following her well-received recording of Prokofiev released in 2020: “outstanding (MusicWeb International); “True command of this daunting repertoire” (The Whole Note).

    This album showcases the spectrum of Tchaikovsky’s art from the pastoral and gentle (extracts from 18 Pieces and The Seasons) to the noble and high-Romantic (the ‘Grand Sonata’) and at a time when modern Russia is blighted by its leaders’ warmongering and aggression, a reminder that the Russian musical art of the past is still as instructive and valuable as ever.

  • Violetta Fialko – Ciccolini Prizewinner Recital

    Violetta Fialko – Ciccolini Prizewinner Recital

    Violetta Fialko is an exceptionally talented Ukrainian pianist, who has been signed by Divine Art for her commercial recording debut, as winner of the 2021 Ciccolini Prize for Pianists, a new international competition which had to be held ‘virtually’ due to the Covid pandemic. At the time of writing this, Violetta is living in a part of Ukraine which has so far not been desecrated, having been evacuated from her home town. The audio masters arrived from the studio in Kyiv only days before the Russian attack, for which we are thankful, and we do not yet know if the studio still exists. Leaving the war aside, we have a brilliantly talented pianist who has chosen a varied and highly virtuosic program of Russian Romantic classics (though Prokofiev, to give him his due, was born in Ukraine).

    Violetta was born in 1997 into a family of musicians. She began to attend music school at the age of 5, and at 9 entered the Lysenko Specialized Music School in Kyiv, graduating with top honors in 2016 and entering the Kyiv Conservatory. She won many prizes, culminating in the 2021 Ciccolini Prize which has led to this album being made. She worked (until the current war began) as a teacher of piano performance and music theory, and is also a volunteer and program host on the Evangelical Radio station ‘Emmanuel’.

    We commend this album as the debut of a fantastic pianist and also in support of her home country and peace and freedom everywhere.

  • Finzi and Brahms: Music for clarinet and piano

    Finzi and Brahms: Music for clarinet and piano

    Helen Habershon is both an accomplished performer and also an inspired composer of music which often evokes nature, or human emotions and sensibilities. Her first two CDs have been highly praised and were Album of the Month and Album of the Week on Classic FM (UK) respectively. Her album ‘Found in Winter’, released in 2019, has been aired by Classic FM ever since. Helen had an established performing career until a serious injury led her to turn to composing, but she is now once again able to perform.

    Here she teams up with the successful pianist and arranger John Lenehan, who has appeared on over 70 recordings including several solo albums for Sony. It follows their March 2022 release ‘Found in Dreams’ – a collection of romantic lighter pieces, where Helen and John offer a wonderfully diverse collection of repertoire. This includes beautiful arrangements of some of their favourite pieces; a couple of short movements from the Brahms and Finzi works played in full on the new album, and some delightful new compositions of their own.

    As grand master of the high Romantic era, Brahms and his first Clarinet Sonata need no introduction. Here, that work is partnered by two songs and two of his Intermezzi, all arranged by John Lenehan for clarinet and piano. As counterpoint we have the Five Bagatelles by Gerald Finzi, a composer in the English post-Romantic pastoral tradition (with Vaughan Williams, Delius etc). Written in 1940 they are simply enchanting, delightful pieces – perhaps not in the modernist fashion of the day but which will prove enduring despite the composer calling them ‘only trifles’.

  • Songs of Love

    Songs of Love

    Jenny Q Chai is a phenomenon… a pianist of incredible talent, at home in core repertoire and a champion and noted interpreter of 20th century and contemporary works, as well as working to develop new interactive music score software and teaching in China and the USA. She founded and manages the Face Art Institute, a Shanghai-based body devoted to international exchange of music and musicians and served on the board of Ear to Mind, the contemporary music organization in New York. Her other work as well as her concert schedule is too extensive to be listed here; she is currently based both in Shanghai and in California where she is a faculty member at the University of California, Berkeley.
    The New Yorker described Jenny as “A pianist whose dazzling facility is matched by her deep musicality”. On top of all that she also projects a modern and liberated self image.

    Jenny has a special connection with Robert Schumann, whose work she learned from her esteemed first teacher at the Curtis Institute, the late Seymour Lipkin, with whom she studied from the ages of 12 to 19. She has a special love for Kreisleriana which she says never grows old but ’ lives inside of you’. Hence the title, “Songs of Love”.

    This album which presents Kreisleriana together with two movements by Bach and Ives is Jenny’s tribute to Seymour Lipkin who she calls ‘my music grandpa’. It is also a very fine recital by a superbly talented musician who is gathering fans like a rock star.

  • Found in Dreams

    Found in Dreams

    Helen Habershon is both an accomplished performer and an inspired composer of music which often evokes nature, or human emotions and sensibilities this is music which is ‘easy listening’ and in the light music tradition, and is unpretentious, but never facile: it has deep meaning. Her first two CDs have been highly praised and were Album of the Month and Album of the Week on Classic FM (UK) respectively. Her most recent album, ‘Found in Winter’, released in 2019, has been aired by Classic FM ever since. Helen had an established performing career until a serious injury led her to turn to composing, but she is now once again able to perform. Here she teams up with the successful pianist and arranger John Lenehan, who has appeared on over 70 recordings including several solo albums for Sony.

    For Found in Dreams Helen Habershon and John Lenehan offer a wonderfully diverse collection of repertoire. This includes beautiful arrangements of some of their favourite pieces; a couple of short movements of outstanding clarinet repertoire by Brahms and Finzi and some delightful new compositions of their own. As well as his beautifully crafted arrangements John has also written two lovely pieces to add to Helen’s. The cover design is a dream image from Helen’s five year old grandson.

    Throughout history mankind has been intrigued by the idea of dreams and Helen is no exception. As she says: “It’s interesting that all happenings begin as an idea and in order to get an idea one has to be in a receptive place. When creating I find myself in a kind of timeless space, rather like a daydream. I love the freedom of dreams, anything can happen. There are no boundaries and we are free to explore with no limits. The theme of ‘dreams’ came quite naturally and many of the pieces in the album reflect this.”

  • Tom Hicks: Liszt and Ireland Piano Sonatas

    Tom Hicks: Liszt and Ireland Piano Sonatas

    Hailed as an artist of ‘magnificent pianism’, Guernsey-born pianist Tom Hicks has been praised for his ‘gorgeously creative playing’ that ‘transports the listener to another place and time’. Hicks is a gold medallist in numerous national and international competitions and holds degrees and awards from The University of Manchester, The Royal Northern College of Music, Yale University and Northwestern University, where he now lectures. His first disc featuring John Ireland’s Sarnia, ‘Tom Hicks: Ireland and Tchaikovsky’ has been described as ‘brilliantly evocative’ by Colin Clarke in International Piano, and ‘gorgeously creative’ by Scott Noriega in Fanfare.

    In his first recording for Divine Art, Tom presents stellar performances of two major Sonatas – those of Franz Liszt and John Ireland. A generation apart, both are highpoints of the Romantic and post-Romantic era. This playing puts Hicks at the top of the tree for his bold expressiveness and vision.

    On this album Hicks prefaces the Sonatas with shorter, but equally imaginative and expressive pieces: two Preludes by Stanford, Cortège by Rebecca Clarke, and one of the charming waltzes from the ‘Three-Fours’ Suite by Samuel Coleridge-Taylor.

    Tom Hicks is also a strong supporter of contemporary composers and his new album of music by British composer Camden Reeves, inspired by the harmonies and rhythms of blues music, will be released in the late spring of 2022 (“Blue Sounds”) – Métier MSV 28604)

  • Camille Saint-Saëns: Piano Works, Paraphrases and Transcriptions, volume 1

    Camille Saint-Saëns: Piano Works, Paraphrases and Transcriptions, volume 1

    Saint-Saëns excelled as a composer, conductor, pianist and organist – his composition output is enormous, reaching over 160 titles of which many are substantial – operas, ballets, symphonies – yet today much of his work remains neglected and he is known by a few works only: the Organ Symphony, Samson et Dalila, Danse Macabre and Carnival of the Animals. His original piano pieces are generally light ‘salon’ works but are nonetheless delightful and well formed. His major contribution to the piano works is the equally neglected body of transcriptions (of his own works and those of others) where he was sadly eclipsed by the more outgoing and promotion-minded Franz Liszt. This album and its companion include a number of first recordings, introducing a large body of keyboard gems to a new audience. Volume 1 is divided into two sections: transcriptions from Opera and Ballet, and pieces inspired by specific places.

    Antony Gray is a London-based Australian pianist and teacher with numerous acclaimed recordings to his name on ABC and other labels including a 3CD set of Bach transcriptions and a 5-disc set containing the entire piano output of Poulenc. He has premiered many new pieces written for him and has often appeared on radio in the UK and Australia.

    Find volume 2 here

  • Camille Saint-Saëns: Piano Works, Paraphrases and Transcriptions, volume 2

    Camille Saint-Saëns: Piano Works, Paraphrases and Transcriptions, volume 2

    Saint-Saëns excelled as a composer, conductor, pianist and organist – his composition output is enormous, reaching over 160 titles of which many are substantial – operas, ballets, symphonies – yet today much of his work remains neglected and he is known by a few works only: the Organ Symphony, Samson et Dalila, Danse Macabre and Carnival of the Animals. His original piano pieces are generally light ‘salon’ works but are nonetheless delightful and well formed. His major contribution to the piano works is the equally neglected body of transcriptions (of his own works and those of others) where he was sadly eclipsed by the more outgoing and promotion-minded Franz Liszt. This album and its companion include a number of first recordings, introducing a large body of keyboard gems to a new audience. Volume 2 is divided into two sections: transcriptions from Cantata and Oratorio and original ‘occasional pieces’, transcriptions of two works by Luis de Milan and the Douze Transcriptions (of which there 13!) of works by J. S. Bach.

    Antony Gray is a London-based Australian pianist and teacher with numerous acclaimed recordings to his name on ABC and other labels including a 3CD set of Bach transcriptions and a 5-disc set containing the entire piano output of Poulenc. He has premiered many new pieces written for him and has often appeared on radio in the UK and Australia.

    Find volume 1 here

  • Metamorphoses

    Metamorphoses

    Alfonso Soldano is professor of piano performance at the Giordano Conservatory in Foggia, Italy, following similar posts at Santa Cecilia Academy in Rome and in Trani. He was a favorite student of Ciccolini and is renowned for his virtuosity. He was awarded the International Gold Medal for ‘Best Italian Artist’ in 2013 and has won many other competitions, and is also a busy writer and transcriber. His previous recordings for Divine Art, of the music of Rachmaninoff, Bortkiewicz and Castelnuovo-Tedesco, received glowing reviews. He has performed and given masterclasses all around Italy, and in Germany, Switzerland and Romania, and post-Covid is planning a wider international concert schedule, hoping to tour the USA.

    His Rachmaninoff is especially magical. He has transcribed 15 of the composer’s romantic songs for solo piano in three books of ‘Romances’ which he performs here with works by Debussy which Soldano has also transcribed. The album is a glorious, sumptuous immersion in late Romantic and Impressionist music which will appeal equally to classical experts and the wider general public. It is a collection of sheer beauty.