Period: Romantic

  • Eugène Ysaÿe – Violin Discoveries

    Eugène Ysaÿe – Violin Discoveries

    Belgian violinist, conductor and composer Eugène Ysaÿe (1858–1931) has been recognized as one of the greatest violin virtuosos of the 19th and early 20th centuries; regarded as the “King of the Violin” by Nathan Milstein, his legacy has inspired generations of musicians. Ysaÿe was also a true avant-garde composer whose works feature revolutionary modern violin technique, unique expressive devices, profound musicality and harmonic originality, which eventually served as the bridge between the era of the Romantic virtuoso and contemporary music. It is odd, then, to realise that many of his works remain unknown, unpublished and unrecorded. This album presents for the first time several works for violin and piano ranging from 1885 to 1924, and a previously unknown Violin Concerto in G minor from 1910, which was orchestrated by Sabin Pautza.

    Romanian violinist Sherban Lupu is internationally known; he studied in London with Yehudi Menuhin and other leading teachers and has a very busy career, being best known for his discovery, publication and performance of the music of Enescu, but also has held prestigious posts in Italy and Romania and as concertmaster of San Francisco Opera, USA. He is accompanied here by the bright young pianist Henri Bonamy (who was Professor of Piano in Seoul, Korea and now teaches in Munich) and the fine orchestra of Liepāja, Latvia. The conductor is Paul Mann who has made a name recently with many recordings for Toccata Classics.

  • At the Heart of the Piano

    At the Heart of the Piano

    A special 3-CD / triple digital album of great Romantic works by one of the world’s most accomplished pianists specialising in works of that era. These stunning performances of Busoni’s Chaconne (after J S Bach) and Berg’s Sonata are receiving their first release; the other tracks were previously issued (on CD only, not digitally ) by Bayer and have been newly remastered.

    Schliessmann is a unique interpreter, never afraid to find a new expression and always searching for the heart of the music and the composer’s inspiration.

    On their initial release these recordings attracted great accolades: American Record Guide said : “The best pianist I know at entering the world and expressing the awareness of the German romantics. There is something personal and unique about Schliessmann’s Schumann. It does not sound like anyone else’s. He is better than any other pianist I have heard.”

    High Performance Review said of his Scriabin: “This is the most imaginative playing one has heard yet – on the level of Richter, Michelangeli, Wild, Gould – the highest order of artistry.”

  • ‘From Russia’ – music for clarinet and orchestra

    ‘From Russia’ – music for clarinet and orchestra

    Pure enjoyment is provided by this delightful new recording of popular Russian music arranged for clarinet and orchestra by Robin White. From Rimsky-Korsakov’s Clarinet Concerto – originally scored for military band – to the Andante Cantabile from Tchaikovsky’s first string quartet (a staple for arrangers for decades) this is a beautifully played album by one of Britain’s busiest orchestras. An interloper (but a welcome one) from Italy (but of Eastern European style) provides a superb finale.

    Ian Scott is the principal clarinet of the Royal Ballet Sinfonia and has been guest principal with several top London orchestras. He has previously made premiere recordings of Clarinet Concertos for ASV and Dutton. Arranger and conductor Robin White has enjoyed a very busy and varied career; his first recording (1992, Chandos) was very popular and he has made other recordings of light music for several labels. He has managed his own orchestra and choir and appeared, with his choir, in a pivotal episode of the British TV drama series EastEnders. As an arranger of light music, his work has been broadcast by BBC orchestras many times.

  • Il Maestro e lo Scolare

    Il Maestro e lo Scolare

    For the first time, here is an album full of piano duets written expressly for teacher and student, from the first in the genre, Haydn’s Il Maestro e lo Scolare, through many well known composers of the 19th and 20th centuries up to the current decade.

    Very few of these works have attained any sort of public awareness apart from Stravinsky’s Easy Pieces, but though written deliberately with one ‘easy’ part for the learner, the pieces are thoroughly delightful, tuneful and never simplistic: indeed they display all the hallmarks of Romantic, Impressionist (and in two cases jazz-inspired) music-making of high quality and all make for extremely entertaining and pleasant listening.

    Antony Gray is a London-based pianist and teacher with acclaimed recordings to his name. His work with students of all ages, those that wish to pursue advanced training and even those who do not, produces a wonderful rapport which shines through in these recordings. Over 50 of Gray’s students are represented on the album.

  • 1847: Liszt in Istanbul

    1847: Liszt in Istanbul

    In 1847 Franz Liszt visited Istanbul (then Constantinople) and performed several recitals on an Erard piano specially shipped for him to play. He spent a month there and gave several concerts including two in the Sultan’s palace. He was fêted and praised highly; at that time the city was a hub of Western culture and a frequent destination of Italian and French opera companies, so Liszt’s operatic transcriptions found a receptive audience.

    Turkish-American pianist Zeynep Ucbasaran created a selection of works from Liszt’s program which were broadcast throughout Europe in 2011 and performed live to great acclaim. Now this recital is committed to a recording which celebrates not only great music but also what was Liszt’s final year as a virtuoso performer.

    Zeynep Ucbasaran began music studies in Istanbul at the age of four, then in Hungary and Germany before moving to the USA to obtain her degrees in Piano Performance. She has won multiple awards and performed in many parts of the world. She naturally has an affinity with the musical culture and heritage of her native Turkey.

  • Liszt to Milhaud – A Journey with Piano Four Hands

    Liszt to Milhaud – A Journey with Piano Four Hands

    The Divine Art label has long been associated with music for piano duo – whether at two pianos or one – through the sterling and brilliant work of Goldstone and Clemmow and more recently Piano-à-Deux. The label is delighted to welcome a new duo with this program which contains several very popular and well-loved miniatures and transcriptions, bookended by major works from Liszt and Milhaud. They need no introduction save to say that from the dances, to the jazz-inflected pieces, each work is a joy to hear.

    These are sparkling performances of well known pieces and form a light counterpoint to the artists’ new 3-piano album of contemporary works. The pianists met when both students at the Franz Liszt Academy in Budapest. Zeynep Ucbarasan is from Turkey but moved to the USA for her postgraduate studies and now lives in California. Her previous recordings and concert appearances have drawn unalloyed praise. Sergio Gallo is a Steinway artist who specialises in music of the Romantic period. He has made several acclaimed recordings for Eroica and is currently recording for Naxos and Quartz. He has won many awards and currently is professor of Piano Performance at the Georgia State University in Atlanta.

  • Russian Piano Music vol. 14 – Prokofiev

    Russian Piano Music vol. 14 – Prokofiev

    This is the second album in the Russian Piano series devoted to Prokofiev and includes his first and sixth Sonatas and other works demonstrating his wide ranging soundworld. His eclecticism has enabled him as a very ‘serious’ composer of post-Romantic, neo-tonal works – often modernistic and at times aggressive – to be appreciated by a wider general audience than many of his contemporaries.

    Stefania Argentieri is a young Italian pianist of consummate skill, necessary to give full expression to the music of Prokofiev. She has won many awards and has performed at prestigious events in Europe and the USA. She teaches at the Giordano Conservatory in Foggia and is also working as a music editor. Stefania has made recordings with her chamber ensemble and this is her first solo album, no doubt one of many for someone who has the brightest of futures.

  • Russian Piano Music vol. 13 – Sergei Rachmaninov

    Russian Piano Music vol. 13 – Sergei Rachmaninov

    The major work in this second album of Rachmaninov’s works in the Russian Piano series is the First Sonata, a pinnacle of high late Romanticism. Less well known are the Moments Musicaux but they too are masterful pieces.

    Alfonso Soldano is professor of piano performance at the Giordano Conservatory in Foggia, Italy, following similar posts at Santa Cecilia Academy in Rome and in Trani. He was a student of Ciccolini and is renowned for his virtuosity. He was awarded the International Gold Medal for ‘Best Italian Artist’ in 2013 and has won many other competitions, and is also a busy writer and transcriber. His previous recordings for Divine Art, of the music of Bortkiewicz and Castelnuovo-Tedesco, received glowing reviews. His Rachmaninov (Rachmaninoff for the American readers!) is equally magical.

  • English Piano Trios

    English Piano Trios

    Of the five English composers featured, only two are really known at all – Coleridge-Taylor for Hiawatha and Boughton for The Immortal Hour – but all wrote wonderful music in Romantic style – rather under the shadow of Elgar, Delius, other prominent figures. Rosalind Ellicott had much success and performances in the 1880s before moving from orchestral to chamber music; Forrester was less prolific, concentrating on his teaching career, but has a fine impressionist voice. Warner was very well known as a violist and member of the London String Quartet; he was very busy as a composer with several chamber works, two operas and over a hundred songs to his name. The Trio featured here won the Elizabeth Sprague Coolidge Prize.

    Trio Anima Mundi is one of Australia’s finest chamber trios; since its founding in 2008 it has won several international awards and made special efforts to unearth and perform forgotten but worthy works as well as the newest pieces of today. Their previous Divine Art album won rapturous acclaim.

  • Transformations – music for organ

    Transformations – music for organ

    Three major organ works: one from Liszt, one of the masters of high Romanticism and bubbling virtuosity; the powerful Heroic Sonata of Jongen and the first commercial recording of the delicately figured piece ‘The Dancing Pipes’ by Jonathan Dove, one of today’s most appreciated composers. This superb program is titled ‘Transformations’ as each piece contains musical transformations of themes; it also reflects the transformation of the fine Harrison & Harrison organ at Cheltenham College Chapel – this is its first recording since a full restoration in 2017.

    Alexander Ffinch studied at the Royal College of Music and was organ scholar at Keble College Oxford. He gave over 100 recitals as resident organist at Lancaster Town Hall and continues to undertake a busy concert and broadcasting schedule (sadly his planned August 2019 debut at Notre Dame Paris is ‘on hold’). Alexander was appointed College Organist at Cheltenham in 2004 since when he has played daily in the Chapel as well as giving regular recitals; he oversaw the 2017 restoration and manages the work of both students and visiting recitalists.

  • Mdina – Music for Horn

    Mdina – Music for Horn

    Following the release of his debut album in May 2007 the virtuoso horn player Etienne Cutajar, who took up his first orchestral seat at 18, has seen his career develop with important orchestral appointments in Scotland and elsewhere before returning to his native country to become principal horn of the Malta Philharmonic. He has also appeared as chamber soloist in many prestigious venues.

    This album is named for the central work, Mdina, by Maltese composer Jesmond Grixti; this is a work for horn solo and accompanied by two more contemporary pieces: Air für Horn by Jörg Widmann and Cynddaredd-Brenddyd by Heinz Holliger. These works require the highest accuracy and technical ability which Cutajar supplies with aplomb.

    Accompanying these new pieces are three mainstream works: Beethoven’s well known Sonata receives a superb performance, as do the Andante by Richard Strauss and Brahms’s Horn Trio in E flat.

    In these works, Cutajar is joined by esteemed pianist and Royal Academy professor John Reid, and in the Brahms Trio by Carmine Lauri, one of the UK’s principal orchestral violinists, who has led the London Symphony, Academy of St Martin in the Fields, and Royal Opera House among others, and has been featured violinist in a host of major feature films.

    “Cutajar impresses with his breath control, rock-solid evenness of tone, and amazing pppppppps. One has to admire Cutajar for his facility and technical prowess.” – Robert Markow (Fanfare)

  • Fragments – music for flute and harp by The Juniper Project

    Fragments – music for flute and harp by The Juniper Project

    We present The Juniper Project in their debut duo recording in the format of a concert recital with a variety of Romantic and modern works from Debussy to Lutosƚawski. The album title is named for the Lutosƚawski but also to represent the inclusion of highlight movements from works by Marson and Rutter.

    Greek flutist Anna Rosa Mari is a vibrant performer who has appeared around the world as a soloist, has been principal flute with the Chamber Orchestra of the Greek National Opera and has appeared with the Halle, BBC Philharmonic and many other leading orchestras.

    Eira Lynn Jones is one of the UK’s leading harpists with a wide range of activities including concertising, recording and teaching. A regular freelancer with most top UK orchestras, previously a member of the Manhattan Contemporary Music Ensemble, New York, she is currently also head of Harp at the Royal Northern College of Music.