Divine Art Records

Genre: Chamber Music

  • Found in Dreams

    Found in Dreams

    Helen Habershon is both an accomplished performer and an inspired composer of music which often evokes nature, or human emotions and sensibilities this is music which is ‘easy listening’ and in the light music tradition, and is unpretentious, but never facile: it has deep meaning. Her first two CDs have been highly praised and were Album of the Month and Album of the Week on Classic FM (UK) respectively. Her most recent album, ‘Found in Winter’, released in 2019, has been aired by Classic FM ever since. Helen had an established performing career until a serious injury led her to turn to composing, but she is now once again able to perform. Here she teams up with the successful pianist and arranger John Lenehan, who has appeared on over 70 recordings including several solo albums for Sony.

    For Found in Dreams Helen Habershon and John Lenehan offer a wonderfully diverse collection of repertoire. This includes beautiful arrangements of some of their favourite pieces; a couple of short movements of outstanding clarinet repertoire by Brahms and Finzi and some delightful new compositions of their own. As well as his beautifully crafted arrangements John has also written two lovely pieces to add to Helen’s. The cover design is a dream image from Helen’s five year old grandson.

    Throughout history mankind has been intrigued by the idea of dreams and Helen is no exception. As she says: “It’s interesting that all happenings begin as an idea and in order to get an idea one has to be in a receptive place. When creating I find myself in a kind of timeless space, rather like a daydream. I love the freedom of dreams, anything can happen. There are no boundaries and we are free to explore with no limits. The theme of ‘dreams’ came quite naturally and many of the pieces in the album reflect this.”

  • Heritage

    Heritage

    Violinist Aisha Syed Castro (b.1989) may well be one of the most remarkably gifted musicians to come from the Dominican Republic and the team at Divine Art are tremendously excited to have signed this young virtuoso for an album of works with principally American and Latin roots. She has been described as a ’virtuoso’ by the press on three continents, and has not only engaged in a busy and highly successful performing career but is tireless in her work for the underprivileged. Aisha is the Honorary Cultural Goodwill Ambassador of the Dominican Republic and works devotedly through charitable ventures (some of which she founded) to bring classical music to the underprivileged and socially disadvantaged.

    In her new album, Aisha has brought together a program of works that have special meaning for her, from Spanish/ Latin/ American sources, including extracts from ‘West Side Story’, works by the Dominican maestro Rafael Solano, music from black composers Samuel Coleridge-Taylor and William Grant Still, and well-known little masterpieces by Piazzolla, Granados and Albeníz. A special piece for the artist is ‘Aisha’s Dance’ from Khachaturian’s Gayaneh ballet, which she has played since she was 15. This recording was made in April 2019 in England and is a sparkling and exotic program of masterworks.

    Aisha’s musical partner here is pianist Martin Labazevitch who also arranged the closing track, a medley of hymns dear to Aisha including a beautiful rendering of the timeless ‘Amazing Grace’. Martin is a Steinway artist who has attracted rave reviews around the world for his lyricism and intensity of performance.

  • Jonathan Östlund: Imago

    Jonathan Östlund: Imago

    “Östlund’s 2019 double CD Voyages and 2020’s Mistral elevate him to the status of the 21st century’s Debussy.”– Jan Hocek (His Voice)

    Jonathan Östlund (b.1975) is a Swedish composer who has recently been living in Romania and before that London before returning to his home country in 2021. He has manifested an avid interest for music from an early age and has pursued his passion with a BA and MA in Composition at the Luleå Tekniska Universitet, in Sweden. He has studied under the artistic guidance of Prof. Rolf Martinsson, Prof. Jan Sandström and Prof. Sverker Jullander, among others, and has so far completed over 100 works, including several orchestral pieces, a Violin Concerto and a Piano Concerto, and has been awarded many prizes in international competitions.

    This new album follows the distinctive format of previous programs in that it features orchestral, vocal, choral, instrumental and chamber music. Östlund’s primary inspiration is nature which is brought out fully in beautiful Impressionist works such as L’eau de l’oubli and La nuit étoilee. He is also fascinated by the art of composing fantasies and paraphrases on classics and several are included here. A large team of soloists (several of whom also gave the world premieres of these works) were gathered in various locations, often having to work through lockdowns, to record this album. Östlund’s music is very accessible and tonal and often full of wit and humor, and is always atmospheric.

  • Robin Stevens: Music for Cello and Piano

    Robin Stevens: Music for Cello and Piano

    The British composer Robin Stevens (b. 1958) is a great talent who is being discovered by the global music community, due in part to the critical acclaim given to the two previous Divine Art albums of his music. His varied, stimulating and expressive work arises from many influences – from the music of the Romantic era, to mathematics, his faith and inspiration of his teachers, and he is now producing substantial works for varied instrumental groupings, which are modernist and original, but yet immediately accessible.

    An accomplished cellist himself, Stevens has produced a body of work for the instrument which should become part of the regular repertoire. On this album, works for cello and piano stand alongside pieces for solo cello, from the substantial 27–minute Sonata Romantica to several compositions in a lighter, tonal style full of Stevens’ wit and humour. Written between 1994 and 2020, they present a diverse range of expressionist and gently modernist sound worlds

    American cellist Nicholas Trygstad moved to England in 1998 to study at the Royal Northern College of Music. He became principal cello of Scottish Opera and from 2005 the Hallé Orchestra, and is very active in both solo recitals, chamber concerts and his teaching duties both at the RNCM in Manchester and also now with NYO Inspire.

    David Jones is Head of Accompaniment at the Royal Northern College and pianist for the Hallé Choir, and has given premiere performances of works by a number of prominent British composers. His previous recordings include three albums of music by Jeffrey Lewis, attracting the comment “not to be missed”: by Gramophone. Both Nicholas and David have appeared on previous Divine Art / Métier recordings.

  • Eugène Ysaÿe – Violin Discoveries

    Eugène Ysaÿe – Violin Discoveries

    Belgian violinist, conductor and composer Eugène Ysaÿe (1858–1931) has been recognized as one of the greatest violin virtuosos of the 19th and early 20th centuries; regarded as the “King of the Violin” by Nathan Milstein, his legacy has inspired generations of musicians. Ysaÿe was also a true avant-garde composer whose works feature revolutionary modern violin technique, unique expressive devices, profound musicality and harmonic originality, which eventually served as the bridge between the era of the Romantic virtuoso and contemporary music. It is odd, then, to realise that many of his works remain unknown, unpublished and unrecorded. This album presents for the first time several works for violin and piano ranging from 1885 to 1924, and a previously unknown Violin Concerto in G minor from 1910, which was orchestrated by Sabin Pautza.

    Romanian violinist Sherban Lupu is internationally known; he studied in London with Yehudi Menuhin and other leading teachers and has a very busy career, being best known for his discovery, publication and performance of the music of Enescu, but also has held prestigious posts in Italy and Romania and as concertmaster of San Francisco Opera, USA. He is accompanied here by the bright young pianist Henri Bonamy (who was Professor of Piano in Seoul, Korea and now teaches in Munich) and the fine orchestra of Liepāja, Latvia. The conductor is Paul Mann who has made a name recently with many recordings for Toccata Classics.

  • Babadjanian, Chebotaryan & Piazzolla: Piano Trios

    Babadjanian, Chebotaryan & Piazzolla: Piano Trios

    2021 MusicWeb International Recording of the Year

    This is the debut album from Quebec-based Trio de l’Île, a young ensemble of exceptional talent, comprising Uliana Drugova (violin), Dominique Beauséjour-Ostiguy (cello) and Patil Harboyan (piano). The group was founded in 2015, and the three members have all enjoyed success in their careers to date, as performers and teachers.

    The Piano Trio in F sharp minor (1952) by Armenian composer Arno Babadjanian (1921-1983) is widely considered one of the greatest masterpieces of the genre; the Andante a particularly beautiful and much-loved melody.. The work is joined by another Armenian piece, the trio (1945) by Gayané Chebotaryan (1918-1998), which has stronger inspiration from the Armenian folk inflections familiar in the music of Khachaturian as well as the Russian classical tradition.

    As a contrast we have the ‘Four Seasons of Buenos Aires’ from 1960 by Argentinian legend Astor Piazzolla, the composer who revolutionized the tango, turning it from a steamy dance into a true art form. Lively, exotic and highly rhythmic, these pieces embody the Latin spirit totally. The arrangement for piano trio is by cellist José Bragato, a member of Piazzolla’s own Octet.

     

  • 20th Century Polish Chamber Music

    20th Century Polish Chamber Music

    Three works by Polish composers of great stature: the music of Karol Szymanowski is now very well known; he was responsible for the first real flowering of Polish music after Chopin, developing from the Romantic to expressionism to modernism. His Op. 9 violin sonata is his earliest chamber composition, written when he was 22 and found immediate success with audiences, if not all of the critics at the time.

    The Piano Trio of Andrzej Panufnik, who later became a British citizen, is also an early work and as his Op. 1 (he did not give opus numbers to any other composition) symbolises the beginning of his great career. Elements of modernism, Romanticism and jazz inspire this superb piece. It is heard here in the composer’s revised version from 1977.

    For Grażyna Bacewicz, chamber music played a very important role alongside concert works; she summed up the 200 year era from Chopin to Rachmaninoff as a great virtuoso composer and performer – on both violin and piano. The fourth piano sonata is generally considered her greatest – described by one critic as ‘contemporary Brahms’.

    The members of the Huberman Trio, based in Czestochowa, Poland, are all first class musicians with successful solo and orchestral careers:
    Magadalena Ziarkowska-Kołacka (violin);
    Sergei Rysanov (cello); Barbara Karaśkiewicz (piano)

    Chosen by Peter Burwasser of Fanfare in his 2021 Want List (top 5 albums of the year)

  • The 3-Piano Project

    The 3-Piano Project

    While music for two pianos is encountered frequently, larger groups of pianos are rare, so this is an excellent opportunity to explore new and recent music for three pianos by composers from Turkey, Brazil, Spain and Italy. While exploring modern techniques the music is predominantly tonal, and remarkably light and clear-textured much of the time, though never facile or shallow. The composers have used the three keyboards to explore richer melodic lines and counterpoints while avoiding the temptation to create overwhelming walls of sound. The piece by Dallapicolla in particular is open-textured and quite traditional, predating his adoption of serialism. The album includes the world premiere recording of Saygun’s major work ‘Poem’.

    The three pianists are also international – Ucbasaran and Gallo now both live and teach in the USA and Chavaldas works in Spain. They met when students at the Franz Liszt Academy of Music in Budapest, Hungary. They all have highly praised recordings and concert appearances to their credit and came together for this special album of unique works.

  • Liszt to Milhaud – A Journey with Piano Four Hands

    Liszt to Milhaud – A Journey with Piano Four Hands

    The Divine Art label has long been associated with music for piano duo – whether at two pianos or one – through the sterling and brilliant work of Goldstone and Clemmow and more recently Piano-à-Deux. The label is delighted to welcome a new duo with this program which contains several very popular and well-loved miniatures and transcriptions, bookended by major works from Liszt and Milhaud. They need no introduction save to say that from the dances, to the jazz-inflected pieces, each work is a joy to hear.

    These are sparkling performances of well known pieces and form a light counterpoint to the artists’ new 3-piano album of contemporary works. The pianists met when both students at the Franz Liszt Academy in Budapest. Zeynep Ucbarasan is from Turkey but moved to the USA for her postgraduate studies and now lives in California. Her previous recordings and concert appearances have drawn unalloyed praise. Sergio Gallo is a Steinway artist who specialises in music of the Romantic period. He has made several acclaimed recordings for Eroica and is currently recording for Naxos and Quartz. He has won many awards and currently is professor of Piano Performance at the Georgia State University in Atlanta.

  • Songs for Sir John – A tribute to Sir John Manduell

    Songs for Sir John – A tribute to Sir John Manduell

    Sir John Manduell was a pivotal figure in British music – as composer, teacher, BBC producer, first principal of the Northern Royal College of Music and founder of the European Opera Centre. Beloved and revered by musicians, yet someone whose name is shamefully little known outside the music profession.

    This album in tribute presents works by 16 composers from more than one generation, centred around settings of W.B. Yeats and principally songs with oboe, recorder, violin and cello. The music is varied, rich and wonderfully set to the texts, and yet the textures are always transparent and clear; there is nothing inherently ‘difficult’ for the listener. The performers are among the cream of the Music world of Northern England, and also, in the Robin Walker Nursery Rhymes (the only work not specially recorded for the album), feature the iconic veteran BBC presenter Richard Baker. Many of these artists have starred in several other Divine Art and Metier albums – click their names above for details.

    Even without the Manduell connection this is a wonderfully constructed program of new chamber music. In the track list below, the non-vocal works are marked *.

  • Malcolm Lipkin – Recollections

    Malcolm Lipkin – Recollections

    This album celebrates 50 years of the composing career of Malcolm Lipkin (1932-2017) and represents a fitting tribute to a long established and highly respected composer whose music at times was dismissed as old-fashioned for daring to employ real tunes; now it can be appreciated as thoroughly individual, proving that new music can be accessible without losing integrity. He produced a considerable collection of distinctive, finely crafted works in many genres, including two symphonies and an Oboe Concerto, six Sonatas and eight Nocturnes for piano, and chamber, vocal and choral pieces, several commissioned by leading performers.

    Three tracks here (Clifford’s Tower, Pastorale and String Trio) were recorded in 1984 by the Nash Ensemble, then as now among the cream of chamber groups; issued by Hyperion in 1986 on vinyl only, these recordings have been excellently remastered from LP for this new issue. Adding to the mix are new recordings by premier instrumentalists each of whom is celebrated in their own field as a musician of the highest calibre. Lipkin’s music whether sombre or witty is never short of interest and innovation.

  • Vyacheslav Artyomov: Album XI

    Vyacheslav Artyomov: Album XI

    2021 ICMA Nominee: Contemporary Music

    Vyacheslav Artyomov is considered by many to be Russia’s greatest living composer. His music is deep, ultimately spiritual and brilliantly crafted, with influences from the Russian symphonic tradition colored by Mahler, Scriabin, Honegger and Messiaen to name a few – but melded into a unique voice.

    The Divine Art Artyomov Retrospective (which to date has received wonderful reviews internationally) is a mix of new recordings and former Melodiya releases. This is the eleventh album, containing a selection of studio and live concert performances of chamber works for slightly unusual combinations: flute quartet, and saxophones much to the fore. Apart from ‘Hymns of Sudden Wafts’ and Clarinet Sonata these are all premiere releases. The works are performed by some of the best of Moscow’s orchestral and chamber musicians and represent a somewhat lighter (though the term is relative) side to Artyomov’s work than his massive, granitic symphonies. It includes a touching set of songs on poems by Ashot Grashi.

    The extensive list of performers is drawn from the cream of Russia’s chamber and orchestral musicians at the time of the recordings which were made between 1970 and 1991 (and totally remastered in 2019):
    Ruzanna Lisitsian (soprano); Karina Lisitsian (mezzo-soprano); Lev Mikhailov (soprano sax); Alexander Oseichuk (alto sax); Alexei Nabatov (tenor sax); Vladimir Yeriomin (baritone sax); Oleg Tantsov (clarinet); Vladimir Pakulichev, Alexander Timochin & Albert Gofman (flutes); Sergei Khokhlov (alto flute); Valery Popov (bassoon); Alexei Semionov (harpsichord); Yuri Smirnov, Piotr Meschaninov & Vyachelsav Artyomov (pianos); Ilia Spivak (vibraphone, bells)